Alexander Weinstein Famous Quotes and Saying

I think the future is intrinsically linked with our universal human problems. In fact, it's these very problems, and how we deal with them, which will determine our future.

Alexander Weinstein

problem facts thinking

One of my central approaches to writing speculative fiction is to take an absurd situation, which we presently feel is normal, and then push it to an even further absurdity. It's only in this light that we can see the reflection of the disturbing state of our present-day affairs.

Alexander Weinstein

light reflection writing

The problems we have with our current technology often reveal our own human foibles, and it's these new emotions of cyberspace which reveal our struggles.

Alexander Weinstein

cyberspace technology struggle

The environmental catastrophes we're presently seeing are considered "normal" though they're horrific. Fracking has made drinking water flammable, families are dying from planned lead poisoning in Flint, Michigan, mountaintop removal is killing families throughout Appalachia, and oil/mining companies continue to denigrate Native American and indigenous rights throughout the world (see North Dakota Pipeline presently). This is horrific - and yet we somehow consider it normal.

Alexander Weinstein

oil drinking native-american

I'll take a [Pavel] Chekhov comparison any day! He's of course one of the great masters at the short story form, and has helped define traditional conflict as we understand it.

Alexander Weinstein

chekhov conflict stories

It's true, I do love the semi-epiphany. For example, in "Fall Line," the character's final decision is less epiphany than imbecility. He makes a choice, which the conflict hangs upon - whether to seek fame or actually change his life - and so, his decision is tied to the central conflict and his own hubris.

Alexander Weinstein

decision character fall

While my stories are experimental, they're also very traditional. I love the works of the great Russian writers like [Pavel] Chekhov and [Lev] Tolstoy, and their ability to portray our human struggles and joys.

Alexander Weinstein

struggle stories joy

I love the Russian absurdists - [Nikolai] Gogol,[Daniil] Kharms, and [Vladimir] Bulgakov. Even within the Russian experimentalists, there's a lineage of traditional narrative, conflict, and character development, which I find vital to my storytelling.

Alexander Weinstein

narrative development character

I really admire the experimentalists who challenge traditional narrative - writers like Ishmael Reed, Michael Martone, Donald Barthelme, Tatyana Tolstaya, George Saunders, and many others.

Alexander Weinstein

reeds narrative challenges

David Foster Wallace was a brilliant experimentalist who I deeply admire. His ability to do formalism helped me understand how to tackle stories like "Dictionary" and "Failed Revolution." "Dictionary," in particular, functions against narrative in many ways - each of the definitions are their own mini-story or prose poem, and the collection of them adds up to create a different effect than the traditional Freytagian Pyramid story.

Alexander Weinstein

narrative definitions pyramids

Wit and humor seem to always factor into this - there's a tongue-in-cheek tone you get when you take on a formalist story - because there's an inherent voice you're trying to copy (and often to satirize).

Alexander Weinstein

tongue voice trying

That particular story ["The Pyramid and the Ass"] was written during the dark days of the Bush years. George W. Bush had just been "re-elected" (or elected for the first time, depending on how you count the stolen election) and it seemed like the horror of his presidency would last forever.

Alexander Weinstein

pyramids dark years

[George W.] Bush's presidency was one of the great nightmares of my life to date.

Alexander Weinstein

presidency nightmare

In the story ["The Pyramid and the Ass"] there's this war against the so-called Buddhist Terrorists. As we find out, they're not really terrorists at all, just good folks trying to liberate people from technology and fight against an American government/corporation trying to coopt our souls. The inherent racism and Buddhist-phobia in the story plays into the present demonizing of Islam - and of our loss of knowledge about the great, spiritual history of the Sufis, for example, or the cultural heritage from the middle east.

Alexander Weinstein

buddhist spiritual war

I'm just worried that the technology I invented in that story ["The Pyramid and the Ass" ] will become real, and George W. Bush will be able to clone into a new body and be "re-elected" due to a clone-bill passed by him and his cronies. God forbid!

Alexander Weinstein

technology real pyramids

"Openness" [story] ultimately asks this same question - can a relationship survive complete honesty? As a romantic, I want to say "Yes, of course!" But, over time, I've come to agree with Dan Savage.

Alexander Weinstein

savages honesty want

In Nepal, I realized a certain part of my spiritual search had come to an end. I wasn't ever going to live in a Himalayan cave (I like electricity and a soft bed way too much), and I sure wasn't going to find enlightenment so easily.

Alexander Weinstein

enlightenment bed spiritual

While I've always been critical about this peddling of spiritual materialism, it wasn't until I went to Nepal that I came face-to-face with my own spiritual materialism. The thing is, Kathmandu is noisy, and dusty, and crowded, and everywhere you go you see these same Western yoga teachers, hashish-smoking backpackers, and fair-trade shop owners, all seeking the stalls filled with amazing Buddha statues, hand carved mirrors, beautiful yak scarves, and thangka paintings. And everyone is buying stuff!

Alexander Weinstein

spiritual beautiful teacher

I set many of my stories in a gritty "realist" world, but one that is plagued by an overuse of technology, which is akin to the world we find ourselves living in now.

Alexander Weinstein

technology stories world

What is the emotion of an empty inbox? An unliked Post? An ignored dating app message? I think there's a great loneliness that much of our society is running from, and we search for relief in our phones and computers, our online communities, our social networks of friends.

Alexander Weinstein

loneliness running thinking

Alexander Weinstein

Born :

Died :

I think the future is intrinsically linked with our universal human problems. In fact, it's these very problems, and how we deal with them, which will determine our future.

One of my central approaches to writing speculative fiction is to take an absurd situation, which we presently feel is normal, and then push it to an even further absurdity. It's only in this light that we can see the reflection of the disturbing state of our present-day affairs.

The problems we have with our current technology often reveal our own human foibles, and it's these new emotions of cyberspace which reveal our struggles.

I'll take a [Pavel] Chekhov comparison any day! He's of course one of the great masters at the short story form, and has helped define traditional conflict as we understand it.

While my stories are experimental, they're also very traditional. I love the works of the great Russian writers like [Pavel] Chekhov and [Lev] Tolstoy, and their ability to portray our human struggles and joys.

I love the Russian absurdists - [Nikolai] Gogol,[Daniil] Kharms, and [Vladimir] Bulgakov. Even within the Russian experimentalists, there's a lineage of traditional narrative, conflict, and character development, which I find vital to my storytelling.

I really admire the experimentalists who challenge traditional narrative - writers like Ishmael Reed, Michael Martone, Donald Barthelme, Tatyana Tolstaya, George Saunders, and many others.

Wit and humor seem to always factor into this - there's a tongue-in-cheek tone you get when you take on a formalist story - because there's an inherent voice you're trying to copy (and often to satirize).

That particular story ["The Pyramid and the Ass"] was written during the dark days of the Bush years. George W. Bush had just been "re-elected" (or elected for the first time, depending on how you count the stolen election) and it seemed like the horror of his presidency would last forever.

[George W.] Bush's presidency was one of the great nightmares of my life to date.

I'm just worried that the technology I invented in that story ["The Pyramid and the Ass" ] will become real, and George W. Bush will be able to clone into a new body and be "re-elected" due to a clone-bill passed by him and his cronies. God forbid!

"Openness" [story] ultimately asks this same question - can a relationship survive complete honesty? As a romantic, I want to say "Yes, of course!" But, over time, I've come to agree with Dan Savage.

In Nepal, I realized a certain part of my spiritual search had come to an end. I wasn't ever going to live in a Himalayan cave (I like electricity and a soft bed way too much), and I sure wasn't going to find enlightenment so easily.

I set many of my stories in a gritty "realist" world, but one that is plagued by an overuse of technology, which is akin to the world we find ourselves living in now.

What is the emotion of an empty inbox? An unliked Post? An ignored dating app message? I think there's a great loneliness that much of our society is running from, and we search for relief in our phones and computers, our online communities, our social networks of friends.