A phoenix ain't nuthin' but a burd. Cab Calloway More Quotes by Cab Calloway More Quotes From Cab Calloway People sometimes forget that jazz was built not only in the minds of the great ones but on the backs of the ordinary ones — ordinary musicians. Cab Calloway music mind ordinary You hear about the Duke Ellingtons, the Jimmie Luncefords, and the Fletcher Hendersons, but people sometimes forget that jazz was not only built in the minds of the great ones, but on the backs of the ordinary ones. Cab Calloway mind ordinary people It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good Cab Calloway opera blame done Everybody came. Everybody came to the Cotton Club. Cab Calloway cotton clubs music Pass that thing, slightly, lightly and politely. Cab Calloway You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What-doesn't make a difference! Cab Calloway white-man men thinking Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club. Cab Calloway cotton clubs names Everybody did something. It was very entertaining. We had a lot of fun. Lot of fun. And there was no segregation, that I could see. I never saw any Cab Calloway segregation saws fun What opera isn't violent? Two things happen, violence and love. And other than that, name something else. You can't Cab Calloway and-love names two A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage Cab Calloway cutting different two And then there's my Grandson: He's certainly got the music together, there's just no question about it. Cab Calloway grandson together I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were Cab Calloway voice color thinking He was a silly guy. Out - do the other guy. That was his effort at all times. Cab Calloway effort stupid silly That's what George wrote! He wrote it. Why change it? There was this European company that I was speaking about awhile ago - course, didn't nobody know what Porgy was. Cab Calloway nobody-knows company country We usually never got out of there before four or five o'clock in the morning. Every morning. So it was rough. Cab Calloway fog four morning My audience was my life. What I did and how I did it, was all for my audience. Cab Calloway my-life how audience life You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What - doesn't make a difference! Doesn't make a difference. I think he did a good job. Cab Calloway good you man black We didn't have any segregation at the Cotton Club. No. The Cotton Club was wide open, it was free. Cab Calloway open club free segregation 90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness. Cab Calloway nobody story singing happiness At times as a performer they segregated us in some of theatres. Cab Calloway performer us times some
