I am a control freak but it's important to feel strongly about the material you're working on. Shane Carruth More Quotes by Shane Carruth More Quotes From Shane Carruth My favorite films are the ones that I walk away from and I know I saw a story. I saw the core part of the plot. But if I ever take another look at it then I can see that there was some more stuff going on in there that I didn't realize. Shane Carruth plot stories looks If something can be explored or illuminated that would have been difficult to verbalize, that to me is what a film should be. It's like trying to explain what a piece of music is like. You can't do it. Shane Carruth pieces film trying I've always been anxious about 'Primer.' There's good things about it, but all I've seen for a long time is the flaws. Shane Carruth flaws good-things long Cinematography was incredibly foreign to me, so I read as much as I could about it. Once I figured out that it was just photography with a set shutter speed, I got some slide film and I just went about storyboarding the script and taking snapshots. I took a ton of time doing it just to make sure I knew exactly what I was doing. By the end of it I knew what the film was going to look like - my exposure and the composition and everything. I wasn't scared of cinematography anymore. Shane Carruth snapshots photography looks Editing is very satisfying process. You spend hours working on something and then you get to watch it. It's immediately satisfying where everything else is just kind of waiting and waiting and waiting. Shane Carruth waiting editing watches Probably the TV show I've watched the most is 'How It's Made' on the History Channel. I could watch 24 hours of 'How It's Made' and never get bored. Shane Carruth tv-shows bored watches As a viewer, that's work I respond to - work that I know is singular in some way. If I'm being challenged by something on screen, if I don't quite know why it's happening, I want to know I can do the work of pulling it apart and that there'll be something satisfactory about it. If the architecture is sound, you can be lyrical in execution. Shane Carruth execution sound want The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script. Shane Carruth cameras mistake people I don't believe that narrative works when it's trying to teach a lesson or speak a factual truth. Shane Carruth lessons trying believe I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again. Shane Carruth stories writing believe Filmmaking is a thousand choices a day and it's important to just let those choices potentially be informed by something deeper. Shane Carruth filmmaking important choices When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay. Shane Carruth writing interesting thinking Pierrot le Fou is something I keep coming back to. Its so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well. Shane Carruth landscape coming-back narrative All I know is that as an audience member, I am less and less inclined to go to the theater. Shane Carruth members audience theater The thing that is most important is to feel like you're at the front of the line, to be prime or primer. I definitely never wanted to say that in the films, but that's where it comes from. Shane Carruth lines film important I had a really generic upbringing, I think, when it comes to viewing movies as a kid. I didn't really know what was out there or what was being tried. I was, like, 'E.T.' and 'Indiana Jones.' Those were the only things I knew existed. Shane Carruth indiana kids thinking I feel like we want to compartmentalise things and say, 'Well, that's emotional, artistic and subjective, while this is intellectual, objective and measured.' I have difficulty thinking that's the way we experience things. Shane Carruth emotional intellectual thinking I feel like math and writing are the same thing. You're putting together a lot of complex things to satisfy different requirements. It's got to be aesthetically pleasing; it's got to have subtext; it's got to convey information. Shane Carruth together math writing I find 'Fatal Attraction' really romantic. I really like the seduction. Almost every time I see it, I'm surprised when it goes dark. I know that's the claim to fame, but I key into how genuinely romantic it is. Shane Carruth seduction keys dark I love to work. It's the idea of having someone else tell you how to make your film or how to sell it - that's the part I can't really deal with. I would rather do 1,000 things that are work than deal with one thing that's a political problem. Shane Carruth political problem ideas
