I trust Winsor and Newton and I paint directly upon it. Edward Hopper More Quotes by Edward Hopper More Quotes From Edward Hopper If you could say it in words there would be no reason to paint. Edward Hopper creative would-be art It's (the lack of communication between the people in his paintings, ed.) probably a reflection of my own, if I may say, loneliness. I don't know. It could be the whole human condition. Edward Hopper communication loneliness reflection Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world. Edward Hopper vision expression art More of me comes out when I improvise. Edward Hopper The only quality that endures in art is a personal vision of the world. Methods are transient: personality is enduring. Edward Hopper vision personality art No amount of skillful invention can replace the essential element of imagination. Edward Hopper aquariums imagination art I guess I'm not very human. All I really want to do is paint light on the side of a house. Edward Hopper light house want To me the most important thing is the sense of going on. You know how beautiful things are when you're traveling. Edward Hopper know-how important beautiful In general it can be said that a nation's art is greatest when it most reflects the character of its people. Edward Hopper character people art The idea (for the painting 'Room in New York', 1932, ed.) had been in my mind a long time before I painted it. It was suggested by glimpses of lighted interiors seen as I walked along city streets at night, probably near the district where I live (Washington Square, New York, fh) although it's no particular street or house, but is really a synthesis of many impressions. Edward Hopper squares new-york night The only real influence I've ever had was myself. Edward Hopper influence real Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics. Edward Hopper bigs artist cities Yes, linseed oil. I used to use poppy oil, but I have heard that poppy oil is given to cracking pigment too, so I use it no longer. Edward Hopper poppies oil use I have tried to present my sensations in what is the most congenial and impressive form possible to me. Edward Hopper impressive form artist There is a sort of elation about sunlight on the upper part of a house. Edward Hopper elation sunlight house There will be, I think, an attempt to grasp again the surprise and accidents of nature and a more intimate and sympathetic study of its moods, together with a renewed wonder and humility on the part of such as are still capable of these basic reactions. Edward Hopper artist humility thinking My aim in painting has always been the most exact transcription possible of my most intimate impression of nature. Edward Hopper intimate painting artist So many people say painting is fun. I don't find it fun at all. It's hard work for me. Edward Hopper hard-work fun art One of the weaknesses of much abstract painting is the attempt to substitute the inventions of the intellect for a pristine imaginative conception. The inner life of a human being is a vast and varied realm and does not concern itself alone with stimulating arrangements of color, form and design. The term 'life' as used in art is something not to be held in contempt, for it applies all of its existence, and the province of art is to react to it and not to shun it. Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again be great. Edward Hopper design color art The question of the value of nationality in art is perhaps unsolvable. Edward Hopper nationality values art
