If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses. Henry Selick More Quotes by Henry Selick More Quotes From Henry Selick What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page thats really dark and adds a little sweetness to it, a living toys realm. Henry Selick toys dark add Every kid has a toy that they believe is their best friend, that they believe communicates with them, and they imagine it being alive, their toy horse or car or whatever it is. Stop-motion is the only medium where we literally can make a toy come to life, an actual object. Henry Selick horse believe kids I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire. Henry Selick saws dark action I love all sorts of animation, probably the most beautiful would be the tradtional hand drawn animation that Disney is known for. Stop-motion has a certain "grittieness" and is filled with imperfections, and yet their is an undeniable truth, that what you see really exits, even it if is posed by hand, 24 times a second. This truth is what I find most attractive about stop-motion animation. Henry Selick truth-is imperfection beautiful People spend the money where the money is. Nightmare never goes away. Henry Selick nightmare people I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing. Henry Selick army action people This Golden Globe nomination is sweet validation for the years of hard work it took to bring Coraline to life using stop-motion animation with the greatest crew of animators, artists, and technicians I've ever been privileged to work with. I share this nomination with all of them and we all share our thanks to the Hollywood Foreign Press. Henry Selick hard-work artist sweet I love the culture of animation. What stop-motion has in common with live-action is that it has many of the same departments. There's hair, costume, makeup in the form of paint, gaffers, electricians. So there's the same sense of real stuff, real light. But it's not like everything happens at once, like it does in live-action. It's all subdivided into these small sets. It's where my strengths are. Live-action is just an utterly different world, and I'm not a public enough persona to be big and loud at the front of the ship. I'd rather more quietly interact with the artisan animators. Henry Selick makeup different real 'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film. Henry Selick fans action book There's always kids who become stop motion animators. I get stuff all the time. They put it on YouTube. It's exciting to see. Henry Selick youtube stuff kids Miyazaki's films in Japan are bigger than Titanic. He's an incredible rock star there. In the US, they don't do as well. Henry Selick japan rocks stars I'm supporting an up-and-coming director. It's the time in my life that I want to share what I know and pass it along. Henry Selick share Anyone can buy CG technology. It's not that it's easy to make those films. Those films are just as difficult, they're incredibly hard to make. Henry Selick film technology easy There's very few people who want to just make beautiful films that make money when they can make films that make huge money. Henry Selick want beautiful people People are very harsh critics of animated humans. Henry Selick harsh animated people Almost any modern video camera can take stills, so there's always this fresh crop of kids that like making things and moving them by hand. So it's as much our desire to keep it going as what we believe is the public's desire for handmade stuff that really feels handmade, where they aren't being tricked into it being handmade. Henry Selick believe kids moving There's definitely the desire out there for young people who want to make the movies. Henry Selick want desire people Having to make a blockbuster every time puts unhealthy pressure on creatives. The pressure on the filmmakers is so intense, I think it stifles the creativity. Henry Selick creativity pressure thinking It's nice to be taken seriously. Henry Selick nice taken I get rewarded virtually every day with something amazing to see - whether it's a new shot, a miniature sweater, someone who's figured out how to make the hair look really great. We found a way to do the rain, finally. And mud. Make the trees. So I get to stay in constant motion as a director, you know, reviewing things. And there's a lot to review. Henry Selick really-great rain tree
