[In the late 80's] that's the first time I heard about that astonishing idea [that most photographs would be taken on telephones]. And now I've been watching the tsunami of images. Sam Abell More Quotes by Sam Abell More Quotes From Sam Abell My best work is often almost unconscious and occurs ahead of my ability to understand it. Sam Abell best-work photography photographer It matters little how much equipment we use; it matters much that we be masters of all we do use. Sam Abell photography use littles Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay. Sam Abell photography desire art Richard Prince's most famous photograph was made by me. Sam Abell photograph made Life rarely presents fully finished photographs. An image evolves, often from a single strand of visual interest - a distant horizon, a moment of light, a held expression. Sam Abell horizon light expression Essentially what photography is is life lit up. Sam Abell photography photographer inspirational We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. Sam Abell doe people moving My least favorite photographer to have would be myself. Someone who wanted a career at National Geographic. Because it's almost mathematically impossible to achieve that. Sam Abell careers would-be impossible My first priority when taking pictures is to achieve clarity. A good documentary photograph transmits the information of the situation with the utmost fidelity; achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady. Sam Abell priorities photography mean "You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects." Sam Abell photography taken meaningful How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself. Sam Abell important light photography For example, in my dorm, at the University of Kentucky, I had the only camera. I don't think anyone came to college with a camera, other than me. Sam Abell kentucky college thinking But there is more to a fine photograph than information. We are also seeking to present an image that arouses the curiosity of the viewer or that, best of all, provokes the viewer to think-to ask a question or simply to gaze in thoughtful wonder. We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. It is the kind of picture that makes you want to pick up your own camera again and go to work. Sam Abell thoughtful photography moving People say to me, "Who's your favorite kind of photographer?" Or "Who would be your favorite photographer to have in a workshop?" Sam Abell dad would-be people A mad, keen photographer needs to get out into the world and work and make mistakes. Sam Abell mad photography mistake Exotic novelty. My statement to [people] is always, well, set this picture in your home town, is it still an interesting picture? Or is it just exotic? Would I care about this same picture minus its exoticism? Sam Abell home people interesting Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made. Sam Abell vivid photography photographer 'Woman on the Plaza,' with its distinct horizon, snow-like surfaces, wintry wall, stunning sunlight, sharp shadows, and hurrying figure, would become the most biographical of my photographs - an abstract image of the landscape and life of northern Ohio where I grew up and first practiced photography. Sam Abell ohio wall photography I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation. Sam Abell stories book thinking Typically I see it with photographers who go to a place like India or Nepal, and everything's so colorful and exotic and they think, therefore, a picture's been taken. Sam Abell india taken thinking
