Like the music and the period, I wanted 'I'm Not There' to be fun and full of emotions, desires and experiments that were thrilling and dangerous. Todd Haynes More Quotes by Todd Haynes More Quotes From Todd Haynes People define gay cinema solely by content: if there are gay characters in it, it’s a gay film... Heterosexuality to me is a structure as much as it is a content. It is an imposed structure that goes along with the patriarchal, dominant structure that constrains and defines society. If homosexuality is the opposite or the counter-sexual activity to that, then what kind of a structure would it be? Todd Haynes gay character thinking When Cate Blanchett starts directing, it's over for all of us. Todd Haynes I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them. Todd Haynes strong character men I envy musicians their ability to live their art and share it with an audience, in the moment. From a filmmaker's standpoint, that's so rare and pure in a way that I'm sure is way more complicated than it appears. Todd Haynes envy musician art Music and film are parallel experiences: they are linear, they are narrative. Todd Haynes linear narrative film Feminist theory has left an indelible mark on my own critical—and creative—thinking . . . For me, everything I questioned about what it meant to be a man – and how much my sexuality would perpetually challenge those meanings—could be found in arguments posed by feminists. What can I say? I identified. Todd Haynes feminist men thinking The ways in which Oscar Wilde was attacking the Romantics that preceded him, and the Romantic ideas that preceded him, were very similar to what the glam-rockers, particularly Bowie and Bryan Ferry, were attacking in the earnestness of '60s culture. Trying to shock, but with wit, cleverness, and homosexuality. Todd Haynes trying culture ideas As an independent filmmaker, to develop the money and the financing and the structure and the whole process, and then promoting them and traveling with them, which is a part of the process that I've always enjoyed and I've learned a great deal from. Todd Haynes ive-learned structure independent There is no single approach that actors take to their craft. And the best thing you learn is that you have to really listen and respect each actor's own process and own method, and that takes a kind of delicate, non-imposing patience and openness, I think, to get the very best out of the people you work with. Todd Haynes actors people thinking A refusal of nature as a model is a tradition that goes right back to Oscar Wilde. Todd Haynes wilde oscars tradition I was about 6 or 7, I would have said I wanted to be an actor and an artist. And that just kind of kept honing itself around film and getting closer to film. Todd Haynes actors kind artist I always loved theater and acting in plays and directing, writing little plays and directing friends in plays. Todd Haynes acting play writing Pop music can get inside us and enter our memory bubbles. It provides those true Proustian moments, unlocking sensations, unlocking our imaginations. Music inspired me as a filmmaker. Todd Haynes unlocking imagination memories You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment. Todd Haynes envy rocks art I liked to act in plays when I was a kid, and then in college. But that's the last time I really acted. I always loved it. But my interests were more in looking at the whole, rather than getting completely swallowed up in a single part of the whole. Todd Haynes college play kids I figured I would be teaching my whole life and making experimental films on the side. Todd Haynes teaching would-be sides I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of Romeo and Juliet, and where I played all the parts except for Juliet. Todd Haynes kids ideas thinking In male-driven [films], the protagonist is not the person who's necessarily in harms way. There's a sense that they're going to figure out how to persevere and take on the obstacles and foes and you don't necessarily know if that's going to happen with the subjects of love stories. Todd Haynes males stories way Nostalgia could be considered a disease because you're living now. Todd Haynes disease nostalgia I came to this project and 'Far from Heaven' from completely different vantage points. 'Heaven' was of course about the Douglas Sirk films of that period, with the very specific cinematic language and style of melodrama. With 'Carol,' it was presented to me already packaged, with Cate Blanchett attached and Phyllis Nagy's script complete - when it came to me it had a long history and pre-history. Todd Haynes style heaven long
