MAMMOOTTY has presented an outstanding performance in film'New Delhi' Satyajit Ray More Quotes by Satyajit Ray More Quotes From Satyajit Ray Cinema’s characteristic forte is its ability to capture and communicate the intimacies of the human mind. Satyajit Ray cinema communication mind There's always some room for improvisation. Satyajit Ray improvisation rooms The director is the only person who knows what the film is about. Satyajit Ray film persons directors The only solutions that are ever worth anything are the solutions that people find themselves. Satyajit Ray solutions people At the age when Bengali youth almost inevitably writes poetry, I was listening to European classical music. Satyajit Ray writing birthday europe Last, but not least -- in fact, this is most important -- you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better. Satyajit Ray tears important facts I don't understand these national awards, because half of those who sit in judgement over Indian films do not... possess the competence to evaluate a film correctly. Satyajit Ray awards judgement motivational If the theme is simple, you can include a hundred details that create the illusion of actuality better. Satyajit Ray illusion details simple When I write an original story I write about people I know first-hand and situations I'm familiar with. I don't write stories about the nineteenth century. Satyajit Ray writing hands people It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical. Satyajit Ray second-chance musical home My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful. Satyajit Ray shadow actors light Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed in the editing stage, most of my early films are flawed in the cutting Satyajit Ray finals cutting editing There is a ban on Indian films in Pakistan, so that's half of our market gone. Satyajit Ray pakistan half gone When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical. Satyajit Ray shooting important ideas I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it. Satyajit Ray hobbies stories writing I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation. Satyajit Ray stories two long I wouldn't mind taking a rest for three or four months, but I have to keep on making films for the sake of my crew, who just wait for the next film because they're not on a fixed salary. Satyajit Ray salary waiting mind The conception of background music is changing. You use less and less of it these days. Satyajit Ray these-days surfing use Bicycle Thief is a triumphant discovery of the fundamentals of cinema, and De Sica has openly acknowledged his debt to Chaplin. Satyajit Ray thieves cinema discovery My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population. Satyajit Ray cities play class
