My muse must come to me on union time. George Balanchine More Quotes by George Balanchine More Quotes From George Balanchine Why are you stingy with yourselves? Why are you holding back? What are you saving for - for another time? There are no other times. There is only now. Right now. George Balanchine holding-back saving right-now If you don't feel challenged, it's because you're not doing enough. Ballet should never feel comfortable. Comfortable is lazy! If you're comfortable when you dance, you're not pushing yourself hard enough. 100 % is not enough. You have to give 200%. One tendu takes years of hard work and will never be perfect. Everything in ballet is a challenge. George Balanchine hard-work giving years We must first realize that dancing is an absolutely independent art, not merely a secondary accompanying one. I believe that it is one of the great arts. . . . The important thing in ballet is the movement itself. A ballet may contain a story, but the visual spectacle . . . is the essential element. The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician. George Balanchine independent believe art First comes the sweat. Then comes the beauty if you're very lucky and have said your prayers. George Balanchine sweat dance prayer In my ballets, woman is first. Men are consorts. God made men to sing the praises of women. They are not equal to men: They are better. George Balanchine dance men firsts I don't have a past. I have a continuous present. The past is part of the present, just as the future is. We exist in time. George Balanchine past I don't want people who want to dance; I want people who have to dance. George Balanchine dance motivational inspirational Someone once said that dancers work just as hard as policeman, always alert, always tense. But I don't agree with that because policeman don't have to look beautiful at the same time. George Balanchine dance beautiful looks Music must be seen, and dance must be heard George Balanchine heard Storyless is not abstract. Two dancers on the stage are enough material for a story; for me, they are already a story in themselves George Balanchine dancer stories two What are you waiting for? What are you saving for? Now is all there is. George Balanchine saving waiting The ballet is a purely female thing; it is a woman, a garden of beautiful flowers, and man is the gardener. George Balanchine dance flower beautiful Dance is music made visible George Balanchine visible dance made One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's. George Balanchine dance teacher years Dancers are instruments, like a piano the choreographer plays. George Balanchine ballet-class dance play Ballet dancing is arduous, strenuous activity. Students are engaged in physical training that rivals the training Olympic athletes undergo. At the same time, they strive for physical perfection not for the prowess alone but as a way of achieving the means necessary to express the pure nature of their art. George Balanchine dance athlete art Put a man and a girl on stage and there is already a story; a man and two girls, there's already a plot. George Balanchine girl dance men It's like the time capsule with everything in it. Or like the seed that when you plant it, becomes the enormous tree with leaves and fruit. Everybody was in that little seed, and so everything can open. The tree of dance is like that. It just takes a long, long time to blossom. George Balanchine dance tree long See the music, hear the dance. George Balanchine dance Choreography is simpler than you think. Just go and do, and don't think so much about it. Just make something interesting. George Balanchine dance motivational thinking
