The gift of a writer as good as Dickens is not to explain everything; that way, the reader has, in terms of their imagination, somewhere to go. Ronald Frame More Quotes by Ronald Frame More Quotes From Ronald Frame I'm very interested in how corruption works - and it's not necessarily the way one might expect. Ronald Frame expect how corruption way Let's say I find a lot of current American fiction too overwritten for my tastes, too self-conscious; I like something that's simpler and more direct. The story is what matters to me. I hope to make it seem real to readers, as if it happened just like this - so I don't want fancy descriptions getting in the way. Ronald Frame story me hope way I like French films, Chabrol in particular. With him, you often get a skewed morality in which you sympathise with the person you shouldn't. Ronald Frame person like you morality I always felt journalists had a very clear idea of what they wanted to write about me before the interview began. Ronald Frame interview write me always As a writer, you need a strong sense of self-belief. And when it comes to writing, I've always had that. Ronald Frame need you strong writing We become attached to certain characters in novels, mostly because they have some mystery attaching to them. We re-read the books, but we're still left wanting to know more. In my own case, it was 'Great Expectations' and Miss Havisham in particular. Luckily, writers have the option of making up the knowledge that reading doesn't supply. Ronald Frame great my-own reading knowledge I think if you study people in the street today, you do sometimes feel that they have taken their behavior and their language from things that they have seen rather than read - from soap operas and movies and so on. Ronald Frame feel you today people 'Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of life that I thought I had, and I just thought that it would be interesting to sit down and see if I could put it down onto paper. Ronald Frame city down great life I can remember in my early days of writing going to sort of writers' functions and parties and things like that, and I used to get very irritated because when people heard that you came from the suburbs, they had this notion that it was very un-cool to come from there. Ronald Frame you i-can remember people Titles either come to you at the beginning or they don't come to you at all, I find, and I hate the feeling that I haven't got a title because it usually means that you are left at the end scrambling around trying to find something. Ronald Frame feeling beginning you hate I can remember somebody once saying to me that they thought my life must be less real than these other people that they were writing about, which I found a very peculiar thing 'cos all our lives are equally real, and it's just a matter of depicting them and talking about them. Ronald Frame my-life me life people As a little boy, I apparently had a predilection for undoing latch gates, running up pathways and ringing doorbells - and then running off again and away before the door was opened behind me. Ronald Frame door boy behind me At the age of nine, I could cross the length of Glasgow on a succession of buses, wearing regulation garter-topped stockings and compulsory cap and - if I'd done well enough to earn the honour in last week's test - with a First World War medal on a striped ribbon pinned to my brown blazer. I must have looked like a chocolate soldier. Ronald Frame soldier age war world For ten years, I went to piano lessons. I don't think I'm a very musical person, and the theory quite defeated me, but I had a freak aptitude for Debussy and Ravel. Ronald Frame person think me defeated Sundays in my teens were spent on homework: from 8 am until at least 8 pm, with stoppages to be fed and watered. I was carrying up to ten subjects simultaneously. Ronald Frame until were up homework When I was younger, when I was at school, I did read a lot of fiction. I think as you get older perhaps you're interested in essays and biographies and things like that. I think it's just important to just read as much as you can. Ronald Frame think you important school 'Ghost City' was actually one of the few instances of non-fiction that I had written, and I felt that I probably said what I wanted. I think it must be different for every author; I haven't done very much of it, and perhaps, in a way, I found it rather painful, which is why I don't really do it very often. Ronald Frame be-different city think way Some people say that you should read people who think completely differently from you so that everything you read and everything that they say is a challenge to you but there's something to be said for reading people where you think, 'Yes, that's how I would have said it if I could have found the words for it'. Ronald Frame challenge words you people I think, when you are writing non-fiction, you feel there's an obligation to get it absolutely right, so all your factual details have to be, have, you know, to go through a long list of them and tick them. I'm not saying that's not important in fiction, but I think you have a bit more leeway; you can suit yourself. Ronald Frame yourself feel you long I've actually got quite a good memory. I've good recall. It's often things which other people might not notice. Ronald Frame good-memory memory good people
