We started Yes as a vehicle to develop everyone's individual styles. Chris Squire More Quotes by Chris Squire More Quotes From Chris Squire Being called a 'music legend' is a very funny thing. It's nice to know that my work has been appreciated and that people have given me that status. On a personal level, however, I can't think about it too much. It means a lot... but then it doesn't. Chris Squire me music work funny The flukey part of it is, back in the early days, I had that guitar decorated with all kinds of crap wallpaper, 'Flower Power' - then that got all shaved off. And during the course of cleaning the bass up again, some of the wood got shaved down, and it probably became a lighter body than the stock factory model. Chris Squire down guitar flower power You're only as big as your last hit. Chris Squire your only big you I know I always worked hard on making sure we came out with the best possible product and of course we were working with four other people, you have to balance that as well. Chris Squire best you balance people A nightmare is two bassists on stage. Chris Squire nightmare stage two Pull the good out of it and not worry about the drawbacks. Chris Squire out about good worry The other guys and myself have agreed that Billy Sherwood will do an excellent job of covering my parts, and the show as a whole will deliver the same Yes experience that our fans have come to expect over the years. Chris Squire will job myself experience In a way, that's always been Yes' history to a large extent! Quite a few occasions when we've had a new band member or change in members, then we've done a new album with new chops and refreshed the musical approach. Chris Squire new change history way I think it was 'Tales of Topographic Oceans' on 8-track that was the funniest thing because it would fade out in the middle of a song and fade back in again, and when the tracks change, it was quite amusing. Chris Squire back think change song 'Close To The Edge,' we actually had played it from beginning to end before we recorded it in the studio. So we knew how long it was, and we knew it would fit on the album fine, so we didn't do any editing. Chris Squire end beginning editing long We did do the whole of the live suite from 'Fly From Here,' and that was very enjoyable to do. In fact, that is actually our longest piece of music, I think, that we'd ever done. Chris Squire fly live think music It depends on various things like if the promoters want to have a break so they can sell more T-shirts and booze, then they ask if we can do an interval. I personally prefer not to do that. Once you get onstage, I like to stay there. Chris Squire stay things you want All movies, when they're about the music business, tend to have a bit of a wide latitude in terms of how things really were. Chris Squire movies things music business '90125' was our biggest-selling album worldwide. Chris Squire worldwide album our With how huge Yes was, especially in the '70s and '80s, as a touring band and actually playing at the JFK Stadium in Philadelphia to 130,000 people, which is the biggest-paying show ever in rock history, you would think we'd done enough for the Rock and Roll Hall of Fame. Chris Squire think you history people The way Yes works is when we have a new member come in, as in Jon Davison, it's appropriate that we see what differences we can get out of a new contributing member in order to keep Yes interesting. Chris Squire new see differences way I've always been a great believer that you have to keep producing new things in order to keep life interesting - not only for ourselves, but for the audience as well. That's really always been our principle and way of working. Chris Squire great you new-things life 'Drama' was put together quickly; there were a lot of intense, 16-hour days. Despite the pressure, it was a lot of fun, and the end result was an album I'm very proud of. Chris Squire result proud together fun I was working in a music store in London, and this particular place happened to be the importers for Rickenbacker guitars into England. So I started seeing these basses coming in. Chris Squire place seeing london music I think the first three Rickenbacker basses were imported around 1964. Pete Quaife, the bassist for The Kinks, bought one. Then John Entwistle from The Who bought one. As for the third one, I asked the manager of the store if I could get an employee discount. He said I could, and so I picked up that one. Chris Squire manager think three said
