I. M. Pei Professions : Architect Born : April 26, 1917 Browse All Authors Top 50 quotes by I. M. Pei At the beginning, I thought the best Islamic work was in Spain - the mosque in Cordoba, the Alhambra in Granada. But as I learned more, my ideas shifted. I traveled to Egypt, and to the Middle East many times.I found the most wonderful examples of Islamic work in Cairo, it turns out. I'd visited mosques there before, but I didn't see them with the same eye as I did this time. They truly said something to me about Islamic architecture. I. M. Pei egypt islamic eye When I got the opportunity to do the new wing [the Schauhaus] for the German Historical Museum, for instance, I didn't see it as an opportunity for my own ego, to do something so exciting that every architectural publication would want to put it on the cover. I accepted it because I knew it was going to be a very difficult project, and I wasn't sure I could do something exciting there. I. M. Pei wings opportunity museums Luxembourg was and still is today a crossroads, the place where Germany meets the rest of Europe. The country lost part of its territory to Belgium in the 1800s, and during World Wars I and II the German military overran it. Very few people have visited Luxembourg - when I went there and looked at it, I said, my God, it's built on a rock. And within the rock they had a castle, and within the city there's a network of tunnels so the residents could move around and defend themselves. That was of great interest to me. I. M. Pei military war country I haven't taken any new projects in the past years - I told myself, if I cannot live long enough to finish it, I don't want it. I. M. Pei taken past years Many of the projects I'm most proud of are tall buildings, especially the housing projects. In New York I have two: one in Kips Bay and one at New York University. At that time, those projects were most challenging. I. M. Pei new-york challenges two My projects have typically taken a long time to complete. Buildings might take on average about five to seven years to finish, but in my case it's been longer, because the projects I have accepted within the past 15 years have been mostly government projects, and those involve some politics and funding issues, and approvals and so forth. So they're slower. I. M. Pei government taken past I travel to the Middle East, I travel to China, I travel to Europe. It's all very rewarding - the only problem is the travel is getting more and more difficult for me now. Ten years ago I would have enjoyed it a lot more. I. M. Pei middle-east europe years On a daily basis, my home life is very simple. I spend about 2 hours every morning reading the newspaper. As my two assistants will tell you, I don't come to work in the mornings, for two reasons. First, I want to be informed - that means I go through The New York Times every day, and then I watch some news on television. The second is, mornings are the best time to communicate with my clients abroad. I. M. Pei reading new-york morning At home, I have a wife, fortunately, and my children are all grown, and I have many grandchildren. I spend weekends with my grandchildren; I adore them. I. M. Pei weekend home children For Kips Bay, I had a wonderful client, William Zeckendorf, who was willing to gamble with me on using concrete and not brick for a high-rise apartment building. That was very innovative at the time. I. M. Pei bricks clients wonderful The essence of architecture is form and space, and light is the essential element to the key to architectural design, probably more important than anything. Technology and materials are secondary. I. M. Pei architecture technology space light In northern architecture - the cathedrals of Europe and all the little churches - the details, the carving of stone, become necessary because the light is not there to help you very much. You have to enrich surfaces. The desert reduces form to its simplest nature. There is no need for gargoyles or flying buttresses in the desert. I. M. Pei you architecture nature light I came, I studied architecture in America, so my technical background's completely western. But my seventeen years, the formative years of one's life, and I can't say that the Chineseness in me is not there. I. M. Pei me architecture life america Modern architecture needed to be part of an evolutionary, not a revolutionary, process. I. M. Pei part modern architecture process The Louvre for me is a wonderful experience. Because it continues; it didn't get cut off. It was actually a continuous involvement all the way, and a lot of people have come and gone, come and gone; but I'm still here. I. M. Pei me experience people way To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function. I. M. Pei me you architecture life We had a lot of difficulty in getting the French to accept the pyramid. They thought we were trying to import a piece of Egypt until I pointed out that their obelisk was also from Egypt and the Place des Pyramides is around the corner. Then they accepted it. The pyramid at the Louvre, though, is just the tip. I. M. Pei place thought accept trying Even a beautiful piece of work can be overshadowed, destroyed, by something else. I. M. Pei even something work beautiful The Pyramids are perfect, but you can't put the Pyramids in the middle of Manhattan. In the desert, the combination of light and form makes it perfect. I. M. Pei you desert light perfect It is good to learn from the ancients. I'm a bit of an ancient myself. They had a lot of time to think about architecture and landscape. I. M. Pei good myself architecture time Similar Authors Ben van Berkel architect Bruno Zevi architect Bruno Freschi architect Augustus Welby Northmore Pugin architect Arthur Erickson architect Arne Jacobsen architect All Authors
