Quotes by Scripts You can have a great script, and it can be a great show, but for whatever reason, it just doesn't take the public's interest. Joanne Froggatt scripts interest reason I was concerned about doing a sequel and repeating myself. That was before I read the script. JoBeth Williams sequels concerned scripts A lot of the time the film chooses me. I'll be working and I'll get a call from my agent and I'll get the script and then tell him what I think. Jodi Lyn O'Keefe agents scripts thinking I'm always looking for films, but the horror scripts that I get tend to be very repetitive and often not that interesting. Joe Dante scripts horror interesting If I put the script down more than once, there's a good chance that I probably don't want to play the part. Joe Lando scripts want play When I got the script for Memento, I read it and I got killed off on page one and I fired my agent. Joe Pantoliano agents scripts pages I screen tested for Training Day many years ago, which was David Ayer's script with Antoine Fuqua directing. Joe Manganiello training scripts years Jerry picked up the technique of visualizing the story as a movie scenario; and whenever he gave me a script, I would see it as a screenplay. That was the technique that Jerry used, and I just picked it up. Joe Shuster scripts technique stories I, of course, wanted to do something with Drew Barrymore. Please. So we were reading scripts back and forth and then we found this script, Fever Pitch... Jimmy Fallon fever scripts reading It's all about the script. Reality is key to me and less cutesy. Jimmy Fallon scripts keys reality A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do. Joel Surnow good-movie scripts needs You have a lot more leeway to be contradictory playing a character than most of the scripts have in them. That's how all actors are. We have so many different sides of ourselves and we're so different, in meeting with different people. The audiences relate more to that and find that more believable. Joel Kinnaman scripts character people When Tim asked me to do Frankenweenie, he had his original sketches from before he did the short, of what Sparky looked like, and he drew Victor and some of the other crucial people. The remarkable thing about working with Tim is that, once he's read a script, he sketches out everybody else. John August scripts remarkable people A script is like a theory of a movie. John C. Reilly scripts theory I end up improvising in almost everything to some degree, 'cause it's often necessary on movies. The script is one thing, and it's this kind of theory of what you're going to do, and then you get there on the day and you realize, "Oh, the script is not appropriate to this room, the door's over here." John C. Reilly scripts doors rooms I thought ['Sailcloth'] was a terrific script. Elfar Adalsteins, the director, is bound to be a director we'll hear from, and the whole thing was really enjoyable. John Hurt enjoyable scripts directors I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising. John Hurt scripts peculiar trying My springboard is always the script. Even if the script is taken from a novel, I often haven't read the novel... John Hurt scripts novel taken Richard Jenkins read the script [The Hollars] and really liked it, but he said, 'If you can get Margo Martindale, I'll do it. Otherwise, good luck. John Krasinski scripts good-luck said Universal rushed us. We started shooting without a script that was totally completed. John Landis shooting universal scripts «1314151617181920212223»
