Quotes by Story I feel like no-one likes a sob story. No-one likes to hear Moanie Margaret. Stacey Dooley i-feel-like story feel like 'The Girls' tells the story of Rose and Ruby Darlen, who are not only literally but spiritually attached for eternity. Born joined at the head in 1974 to a feckless teenage mother who abandons them, and reared by a delightfully open-minded adoptive couple, the Darlen girls are darling girls, indeed. Stacey D'Erasmo story born mother rose I really don't have any struggle story to tell about my stint in Tellytown. Sriti Jha about story tell struggle I loved the story telling pattern of 'Balika Vadhu.' Sriti Jha pattern telling loved story Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story, so I thought sound could help with the storytelling. Stephen Hopkins story thought complicated sound The portal structure is simply a technique: it is neither necessary nor unnecessary, except as the writer and the story make it so. In the case of 'The Chronicles of Thomas Covenant,' it was absolutely necessary to my intentions. Stephen R. Donaldson intentions make story structure Telling a story inherently has bias because of perspective and the way the story is told. Stephen McFeely story bias perspective way Freddie Gray was a story I followed closer than others, for whatever reason, in this larger narrative of police brutality. Stephen Malkmus whatever story police reason In the 40 years since 'The Amityville Horror', dramatizations of those supposedly-real events have gotten loose enough - special-effects laden enough, star-power re-packaged enough - that the audience no longer trusts the dramatization's loyalty to the core story. Stephen Graham Jones story events loyalty enough If the main character's not in jeopardy - physical, psychological, emotional, whatever - then you don't have any tension, and you don't have a story. Stephen Graham Jones story you emotional character The main thing that I learned from editing is that most people, when they're making a film, they start too early into the story. They will try to set up the characters, they will try to establish things before the plot actually starts. Steven Zaillian story start editing people If you read a story with an 'I' or a 'he' or a 'she,' you're in familiar territory - but 'we' is mostly unexplored. I think of 'we' as an adventure. Steven Millhauser story think you adventure The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than the music. Steven Price story great music way I used to be more of a purist about literature. I thought, 'If it's a really propulsive story, then maybe there's something unliterary about it.' Steven Heighton something story thought literature We think, fundamentally, that the future story of Latin America, not only of Mexico but for all of Latin America, will be constructed from the bottom - that the rest of what's happening, in any case, are steps. Subcomandante Marcos rest story think future Telling your story is transformative. For both the storyteller and their audience, a new bridge to understanding is created. Susan Burton bridge new story understanding There are many reasons I love novels with multiple narratives. In novels where the events are filtered through the consciousness of a single 'reliable' narrator, I often wonder, is this the whole story? What could be missing here? Susan Barker story missing wonder love To see my story turned into a movie is mind-blowing. Susannah Cahalan mind-blowing story see movie As a girl, I sat awestruck at the feet of Harriet Ne, author of 'Tales of Molokai'. It was she who used to say, 'I myself have seen it,' after telling a particularly hair-raising ghost story - a phrase that I borrowed for one of my titles. Susanna Moore story myself girl feet The history of Hawaii may be seen as a story of arrivals. Susanna Moore seen story may history «1234567891011»
