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Everything that is written merely to please the author is worthle... by Blaise Pascal

Everything that is written merely to please the author is worthless.

Blaise Pascal
mathematicalpleasewriting

Those who write against vanity want the glory of having written well, and their readers the glory of reading well, and I who write this have the same desire, as perhaps those who read this have also.

Blaise Pascal
readingmathwriting

Vanity is so secure in the heart of man that everyone wants to be admired: even I who write this, and you who read this.

Blaise Pascal
heartwritingmen

There are some who speak well and write badly. For the place and the audience warm them, and draw from their minds more than they think of without that warmth.

Blaise Pascal
mindwritingthinking
The last thing we decide in writing a book is what to put first. by Blaise Pascal

The last thing we decide in writing a book is what to put first.

Blaise Pascal
writinginspirationalbook

Even those who write against fame wish for the fame of having written well, and those who read their works desire the fame of having read them.

Blaise Pascal
wishdesirewriting

Vanity is so anchored in the heart of man that a soldier, a soldier's servant, a cook, a porter brags and wishes to have his admirers. Even philosophers wish for them. Those who write against vanity want to have the glory of having written well; and those who read it desire the glory of having read it. I who write this have perhaps this desire, and perhaps those who will read it.

Blaise Pascal
philosophicalheartwriting

The funniest novel you've never read. . . . Afternoon Men is a revelation to sophisticated readers of every stripe, but especially to a certain kind of artist manqu on the brink of discovering that life is a more difficult business than he ever had reason to expect. . . . The subject matter is 'relatable,' as my students like to say. Better still, though, is what you can learn about the craft of writing from this marvelous book. . . . Indeed, if you're looking for a funny, nonportentous Hemingway, then the early Powell is your man.

Blake Bailey
writingmenbook
I write all day every day, so when I feel unproductive, it magnif... by Blake Butler

I write all day every day, so when I feel unproductive, it magnifies everything else.

Blake Butler
unproductivewritingfeels

I don't think in time signatures, and when I do, what I write is generally 3/4 or 4/4, the most basic, straightforward stuff. I think that comes from just not being a super-schooled musician.

Blake Judd
signatureswritingthinking

I didn't have an agent. I would just write down that I was with my brother's agency, and then the agency would get calls and say that they had no idea who I was.

Blake Lively
agencybrotherwriting

Editing might be a bloody trade. But knives aren't the exclusive property of butchers. Surgeons use them too.

Blake Morrison
kniveseditingwriting

At times of crisis or distress, it's poems that people turn to. (Poetry) still has a power to speak to people's feelings, maybe in a way that fiction, because it works in a longer way, can't. There's a little bit of your brain that mourns and grieves that you're not writing poetry, but actually as long as I'm writing something, I'm happy.

Blake Morrison
writinggrievinglong

In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.

Blanche Wiesen Cook
grandmotherdarkwriting

She writes that one of the moments that she felt most useful was when her mother had a headache, and she would stroke her head and rub her forehead. And I think Eleanor Roosevelt's entire life was dedicated to two things: (one) making it better for all people, people in trouble and in need, like her family.

Blanche Wiesen Cook
motherwritingthinking

And in her [Eleanor Roosevelt] letters, she writes the most, you know, fanciful letters: when we are together, and when we are reunited, and you know, I will be your surrogate wife. Of course she doesn't use that word, but I will be the mother to my brothers, and I will be your primary love.

Blanche Wiesen Cook
brothermotherwriting

I think Eleanor Roosevelt always had a most incredible comfort writing letters. I mean, she was in the habit of writing letters. And that's where she allowed her fantasies to flourish. That's where she allowed her emotions to really evolve. And that's where she allowed herself to express herself really fully, and sometimes whimsically, very often romantically. And it really starts with her letters to her father, who is lifelong her primary love.

Blanche Wiesen Cook
writingmeanfather

Eleanor Roosevelt fights for an anti-lynch law with the NAACP, with Walter White and Mary McLeod Bethune. And she begs FDR to say one word, say one word to prevent a filibuster or to end a filibuster. From '34 to '35 to '36 to '37 to '38, it comes up again and again, and FDR doesn't say one word. And the correspondence between them that we have, I mean, she says, "I cannot believe you're not going to say one word." And she writes to Walter White, "I've asked FDR to say one word. Perhaps he will." But he doesn't. And these become very bitter disagreements.

Blanche Wiesen Cook
writingmeanbelieve

On international relations, Eleanor Roosevelt really takes a great shocking leadership position on the World Court. In fact, it amuses me. The very first entry in her FBI file begins in 1924, when Eleanor Roosevelt supports American's entrance into the World Court. And the World Court comes up again and again - '33, '35. In 1935, Eleanor Roosevelt goes on the air; she writes columns; she broadcast three, four times to say the US must join the World Court.

Blanche Wiesen Cook
supportairwriting

By 1938, Eleanor Roosevelt was so angry at FDR's policies, she writes a book called This Troubled World. And it is actually a point-by-point rebuttal of her husband's foreign policy. We need collective security. We need a World Court. We need something like the League of Nations. We need to work together to fight fascism. We need embargoes against aggressor nations, and we need to name aggressor nations. All of which is a direct contradiction of FDR's policies.

Blanche Wiesen Cook
husbandwritingbook
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