A cruel critic has never made anything; his glibness is a way of inflicting his emptiness on others. John Lahr More Quotes by John Lahr More Quotes From John Lahr Any play that makes an audience think out of the box, that makes connections to life and names our pain and by doing so makes our pain subject to thinking and the process of understanding, is doing something inherently political. By promoting understanding, by putting experience in context, by making connections between the normal and the rational, theatre is an act of anti-terrorism. It stimulates courage and a survival spirit. In that sense of political, there are a lot of serious plays doing their work in the world. John Lahr pain play thinking We live in a time of terror, and contrary to what we see on television and allow ourselves to believe, the real goal of terror is not to kill people but to kill thought; to so demoralize a society that it implodes from within. John Lahr real believe people Criticism is a life without risk. John Lahr risk criticism That state of mind - of being beside yourself - is wonderful. As you get older, you're just very aware of a sense of an ending. You're grateful for every day. John Lahr grateful mind wonderful A prose writer never sees a reader walk out of a book; for a playwright, it's another matter. An audience is an invaluable education. In my experience, theatre artists don't know what they've made until they've made it. John Lahr theatre artist book Like the tail fins on fifties American cars or the parabolic shapes of Populuxe furniture, 'West Side Story' incarnates the dream of momentum in the golden age of the twentieth century. John Lahr car age dream Momentum was part of the exhilaration and the exhaustion of the twentieth century which Coward decoded for the British but borrowed wholesale from the Americans. John Lahr exhilaration momentum coward I go to the theatre expecting to have a good time. I want each play and performance to take me somewhere. Naturally, this doesn't always happen. John Lahr theatre want play Frivolity is the species' refusal to suffer. John Lahr refusal species suffering In Britain, the theatre has traditionally been where the public goes to think about its past and debate its future. The formation of the National Theatre, at the Old Vic, near the South Bank, in 1963, institutionalized the symbolic importance of drama by giving it both a building and state funding. John Lahr drama past thinking I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself. John Lahr risk mind winning Did you come of age in those sweet summers of the early nineteen-sixties, when the airwaves were full of rock and roll's doo-wop promise of joy and the nation was full of J.F.K.'s eloquent promise of a New Frontier? I did. Life seemed to be laid out before us like a banquet; everything was for the taking, especially hearts. John Lahr summer heart sweet Dame Edna is that rarest sighting in our time of the absolute comic, an inspired personification of caprice whose comedy answered the primal call to take the audience for a tumble. John Lahr dames inspired comedy Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie. John Lahr glasses angel drama Although the 'New York Times' annually declares that Broadway is on its deathbed, news of its demise is greatly exaggerated. There's a lot of life yet in the old tart. John Lahr news demise new-york Accustomed to the veneer of noise, to the shibboleths of promotion, public relations, and market research, society is suspicious of those who value silence. John Lahr music silence science The British playwright Nina Raine is one of her generation's most promising talents. John Lahr british generations talent Society drives people crazy with lust and calls it advertising. John Lahr crazy business people First and foremost, I'd say my father, Bert Lahr ... gave me a love of theatre--its kinetic and emotional potential and its raffish backstage fun--and also set an artistic example of the importance of corrupting an audience with pleasure. John Lahr emotional fun father Entertainment is not politically neutral. John Lahr entertainment
