A day doesn't go by when I don't get a compliment on L.A. Confidential, for example. Curtis Hanson More Quotes by Curtis Hanson More Quotes From Curtis Hanson You can dress it up, but it comes down to the fact that a movie is only as good as its script. Curtis Hanson dressesdirectorsfacts Self-awareness and self-esteem. Those aren't female issues, those are human issues. Curtis Hanson issuesfemaleself-esteem Whereas to write, all you need is paper and an idea, so I felt that writing might be my stepping stone. Curtis Hanson writingideasneeds Hollywood, of course, is the city of illusion. Curtis Hanson illusionhollywoodcities What you care about [movie] is whether it's moving you, or whether you're caught up in it. Curtis Hanson caughtcaremoving Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work. Curtis Hanson film-schoolfilmschool You can imagine what it was like for me to actually be sitting in a room with matching typewriters, working under the tutelage of this guy I so admired, both as a filmmaker and as a man. Curtis Hanson guytypewritersmen I grew up as a reader as well as a movie-lover, so many of the novelists I admired - and so many of the great filmmakers I loved - were self-taught. Curtis Hanson taughtnovelistsself Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out. Curtis Hanson nextsuccessfulgiving When I first went to Pittsburgh, I had never been there before, and we hadn't even decided to shoot there yet. I just went to see the location of Michael Chabon's novel. Once there, I became aware that Pittsburgh is a "wonder boy," in the narrow sense of the term, just as the human characters are. Curtis Hanson pittsburghcharacterboys I approach the movies I make as a movie-lover as much as a movie-maker. Curtis Hanson approachloversmakers Put simply, there are many people who want to make movies and very few opportunities for them to do it. Curtis Hanson wantopportunitypeople There are many people who want to make movies and very few opportunities for them to do it. I had a checkered early career with a lot of very unhappy experiences where pictures got taken away, re-cut, re-titled... all the nightmares one hears about. Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out. Curtis Hanson takensuccessfulopportunity I was never a critic. I was a journalist and wrote about filmmakers, but I didn't review movies per se. I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers. And I still am. I'm still a great movie fan, and I ,that love of movies is very much alive in me. I approach the movies I make as a movie-lover as much as a movie-maker. Curtis Hanson filmmakercriticslovers I never intended to have a career as a journalist, writing about people who make movies. I did it as something that was really rewarding to do, given the opportunity to express myself about something I cared about, and also to learn a lot by watching filmmakers I admired. In a sense, it was my film school. After doing it for a few years, I decided that the time had come to get it together and do some work of my own. Even for a cheap movie, you need film stock and equipment and actors. Whereas to write, all you need is paper and an idea, so I felt that writing might be my stepping stone. Curtis Hanson writingopportunityschool I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed. Curtis Hanson rogerlocationsweet It was a unique experience in several ways, because I don't think Sam [Fuller] had ever collaborated with another writer over his whole career. Curtis Hanson careersuniquethinking I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life. Curtis Hanson scriptswritingyears I had the great fortune to actually become friends with Sam [Fuller] and ultimately collaborate with him on White Dog, which we wrote together. Curtis Hanson dogwhitetogether Samuel Fuller pictures were both written and shot in such an unusual way that his voice came through loud and clear, and it made a big impression on me. Curtis Hanson unusualvoiceway
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