A dream that you don't fight for can haunt you for the rest of your life. Stanley Tucci More Quotes by Stanley Tucci More Quotes From Stanley Tucci As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting. Stanley Tucci acting watches directors Those moments in between the moments, those are the most interesting. What's unspoken, the way we talk around things, the way our actions are inconsistent with what we're feeling, how anger and affection manifest themselves in strange ways at inappropriate times. Stanley Tucci our-actions feelings interesting I think it's important to have a good sense of humor and joke around with your kids. That's what I do a lot. Stanley Tucci important kids thinking As soon as the actor steps into the role, you probably can cut 50% of the lines because there's a person there now. And what a person does with their eyes, with their mouth, with their hands, the way they walk into a room, you can probably cut half the scene. Stanley Tucci cutting eye hands Ripe bananas are the mark of a good produce section. A good produce section is the mark of a superior grocery store. A superior grocery store is the mark of a good man. Stanley Tucci bananas good-man men Like Joseph Mitchell, I would scour the streets of New York and find little pieces of what other people think of as junk - and collect it. Stanley Tucci new-york people thinking What's great is when you're working with somebody with whom you have a connection, it's exciting because there's a shorthand and you trust each other and you have a good time together on the set and so you can go a little farther than you might normally because you're with somebody that you trust. Stanley Tucci connections together littles So yes, I hope to act in other people's movies, big and small, because that's how I make my living, really. Stanley Tucci movie bigs people Sometimes we all make relationships more complicated than they necessarily have to be. Stanley Tucci complicated sometimes As a film director I like to have the actors create their own close-ups. It's an older style of filmmaking. Stanley Tucci style actors directors This is the funny thing about Skype. No one is really looking into the camera. People always looking down because they're looking at the image. You wish the camera was there in the center. Stanley Tucci funny-things wish people I'm pretty much a character-driven film director and my movies are smaller. I don't do a lot of coverage. I use lots of master shots. Stanley Tucci use character directors I write in the mornings. During my down time. Stanley Tucci down-time writing morning As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over. Stanley Tucci design doe directors Early in my career, people wanted to pigeonhole me as the bad guy because I'm of Italian-American descent, which they often were when I started out. You have to fight against it. One of the things that helps is the ability to do comedy. Stanley Tucci italian careers fighting It's different if you're a painter. You can hidethe ones that don't work. You can't do that with movies. They tellthe story of who you are at the time, and that's the wonderful thingabout it. Stanley Tucci different stories wonderful I don't like to move the camera that much anyway. Stanley Tucci cameras moving I have consciously not taken the role of a gangster, which has been offered to me far too many times. Stanley Tucci gangsters roles taken The most I've ever done was twenty-something, but that's wasn't because I wanted to. I feel like to me it's usually somewhere between two and- no, it's very hard to say because it really depends up on the shot, you know? If it's a complicated master shot and you know that this is the only thing that you're doing for that scene, a complicated one-er, you're going to maybe end up doing a few more takes than you normally would. But I'm not a big believer in doing tons and tons and tons of takes. Stanley Tucci twenty-somethings twenties two My partner, Beth Alexander, and I want to produce smaller films, but commercially viable films that will enable me to make the kinds of movies I want to make. Stanley Tucci film kind want
