[About a tiresome colleague]: He could bore for Scotland. Ian Rankin More Quotes by Ian Rankin More Quotes From Ian Rankin You wouldn't think you could kill an ocean, would you? But we'll do it one day. That's how negligent we are. Ian Rankin one-day ocean thinking From this height the sleeping city seems like a child's construction, a model which has refused to be constrained by imagination. The volcanic plug might be black Plasticine, the castle balanced solidly atop it a skewed rendition of crenellated building bricks. The orange street lamps are crumpled toffee-wrappers glued to lollipop sticks. Ian Rankin cities sleep children I still think most writers are just kids who refuse to grow up. We're still playing imaginary games, with our imaginary friends. Ian Rankin growing-up kids thinking At all times, think like a writer, and keep those antennae twitching - that way, you pick up new ideas. Ian Rankin way ideas thinking Rebus was eating breakfast in the canteen and wishing there was more caffeine in the coffee, or more coffee in the coffee come to that. Ian Rankin coffee wish breakfast The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern. Ian Rankin crime-novels trying character I'm interested in Scotland now and then, how it's changed. I want to get the reader to think about that by thinking about something from the past. How has society changed, how has policing changed, have we changed philosophically, psychologically, culturally, spiritually? Ian Rankin scotland past thinking I'm often asked how I write books, but I don't think my approach is suitable for everyone. If I walked into a creative writing class, all I could say to them was 'I tend to make it up as I go along.' I'm not sure that's brilliant advice. Ian Rankin writing book thinking I started writing novels while an undergraduate student, in an attempt to make sense of the city of Edinburgh, using a detective as my protagonist. Each book hopefully adds another piece to the jigsaw that is modern Scotland, asking questions about the nation's politics, economy, psyche and history ... and perhaps pointing towards its possible future. Ian Rankin asking-questions writing book No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say. Ian Rankin awards matter book I used to think that: whenever I heard that someone had taken 10 years to write a novel, I'd think it must be a big, serious book. Now I think, 'No - it took you one year to write, and nine years to sit around eating Kit Kats. Ian Rankin taken writing book Was it all inevitable, John?" Reeve was pushing his fingers across the floor of the cell, seated on his haunches. I was lying on the mattress. Yes," I said. "I think it was. Certainly, it's written that way. The end of the book is there before the beginning's hardly started. Ian Rankin book lying thinking I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry. Ian Rankin short-love reading writing It was the laughter of birthdays, of money found in an old pocket. Ian Rankin laughter pockets found His eyes beheld beauty not in reality but in the printed word. Standing in the waiting-room, he realized that in his life he had accepted secondary experience -- the experience of reading someone else's thoughts -- over real life. Ian Rankin real reading life A lot of writers, especially crime writers, have an image that we think we're trying to keep up with. You've got to be seen as dark and slightly dangerous. But I'm not like that and I've realised that I don't need to put that on. People will buy the books whether they see a photo of you dressed in black or not. Ian Rankin dark book thinking I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience. Ian Rankin dad reading home Witches never existed, except in people’s minds. All there was in the olden days was women and some men who believed in herbal cures and in folklore and in the wish to fly. Witches? We’re all witches in one way or another. Witches was the invention of mankind, son. We’re all witches beneath the skin. Ian Rankin men life son My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer. Ian Rankin giving-up dream book I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story. Ian Rankin cutting football men
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