Actors know how to talk to other actors in a way that sometimes other directors just don't. Grant Heslov More Quotes by Grant Heslov More Quotes From Grant Heslov I acted for so many years and sat on a million sets and worked with a million different directors so that is to me some of the best training you can get. Grant Heslov trainingdirectorsyears Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them. Grant Heslov directorsneedsthinking What you learn when you direct a film, even more so than as a producer, it's a marriage. It's like a relationship with that film so you've got to make sure that it's really something that you want to live with for three years or however long it is. So I haven't found the right thing to marry yet. Grant Heslov threelongyears We usually break the story first. For instance, on The Monuments Men, and this one is more complicated because there's a lot of history, so before we started, we sat down with Robert Edsel, the author of the book, for about a week, and basically, he just gave us a lecture and went through everything. And then, I had a researcher, somebody who we had actually used on Argo. Grant Heslov storiesmenbook The Ides of March was a fairly cynical film. Grant Heslov marchcynicalfilm I didnt want to be 50 or 60 and auditioning for a three-line role. Grant Heslov linesrolesthree There are times when you work with directors on set, and things are a bit rudderless, and those can be good directors. Grant Heslov good-directorsbe-gooddirectors A lot of the art that was destroyed was painted and created by Jews. A lot of that is gone because that was degenerative art. That's what Hitler was trying to get rid of. Grant Heslov gonetryingart Writing a screenplay is like writing a big puzzle, and so the hardest part, I think, is getting the story. Grant Heslov storieswritingthinking You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." . Grant Heslov actorsimportantwriting As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that. Grant Heslov focusspacelittles When you look at a film like 'The Ides of March' or 'Good Night, and Good Luck' even, those are really contained pictures. Grant Heslov goodlookyounight A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make. Grant Heslov goodyoumoneynight 'Monuments Men' is not a docudrama. It's not a documentary. Grant Heslov monumentsdocumentarymen There are films that cost a lot of money that might be decent films. But if they don't perform in that first weekend or two, they're gone. Grant Heslov firstweekendmoneytwo It takes a long time to get a film made. Grant Heslov getlong-timetimelong You have to make films you feel strongly about. And then hope you can find the audience. Grant Heslov findfeelyouhope 'Monuments Men' is a movie... I don't want to say for grown-ups, because some young folks could appreciate it, too. But if you're expecting 'Transformers,' you're going to be disappointed. Grant Heslov monumentsyouappreciatemen I find writing really difficult - definitely the most difficult of all the things I do. Grant Heslov findthingsdifficultwriting I'm very superstitious. Grant Heslov verysuperstitious
