All good poets of the past, almost without exception, were at least bilingual if not trilingual. Helen Vendler More Quotes by Helen Vendler More Quotes From Helen Vendler You don’t read or overhear the voice in the poem, you are the voice in the poem. Helen Vendler voice Each poem leads you to the questions it makes sense to ask it. Helen Vendler asks make-sense One could say that artists are people who think naturally in highly patterned ways. Helen Vendler artist people thinking The art of utterance persuades initially by its music and its rhythm, before semiotic or personal characteristics come into play. Helen Vendler utterance play art The non-artists among us are always terribly busy, but finally disappear without a trace. Helen Vendler disappear artist busy When I first heard Wallace Stevens voice, it was by chance: a friend wanted to listen to the recording he had made for the Harvard Vocarium Series. Helen Vendler voice chance firsts If you like the precision and concision of poetry, a page of prose is unsatisfying in a certain way. And poetry is so direct. Helen Vendler precision pages way I do not give the honorific name of 'poetry' to the primitive and the unaccomplished. Helen Vendler primitive names giving For the mind and the imagination, bookstores aren't enough, college courses aren't enough, the Internet isn't enough. Those resources are all governed by the tastes and needs of the moment. Only libraries take the long view, quietly shelving the unused with the used, knowing that one of these days the two categories will be reversed by a student's discovery of those hitherto undisturbed volumes whose contents will unsettle the learned world. Helen Vendler college views discovery For the critic, criticism is a form of natural self-expression, as poetry is to the poet. So, for a critic, criticism is a true thing. Criticism isn’t written for poets, it’s written for other readers. One hopes it is true for other readers if it’s true for oneself. Helen Vendler criticism expression self A poem needs imaginative rhythms as well as imaginative transformation of content. Helen Vendler rhythm transformation needs Soul or Intelligence destined to possess the sense of Identity. Helen Vendler destined soul identity There are not many poets whose fame rests on a single work. Helen Vendler poet fame Twentieth-century American poetry has been one of the glories of modern literature. Helen Vendler modern glory literature I was unnerved to learn in my twenties that the poems of Emily Dickinson that I had memorized as a girl were not the poems as she had written them. Helen Vendler written girl twenties I like art history and art criticism. Leo Steinberg has always been my favorite. Hes very original, very accurate and acute. Helen Vendler my-favorite criticism art I liked teaching Henry James. When you look down at a Henry James novel from a helicopter height, you find an intricate spider web that all clings together. Helen Vendler spiders teaching together I always write after I think for quite a long time, so the actual writing time is rather short. I think a lot of the work gets done when you have something on your mind while you're doing many other things. Helen Vendler you mind work time I wouldn't be very happy if a poet read what I had written and said, 'What a peculiar thing to say about this work of mine.' Helen Vendler say said work happy I think that a lot of things are hard to read if you're not in the vocabulary flow of that particular discourse. I sometimes forget that even though the words I'm using are fairly ordinary words, the concepts around which they cluster, which are the long concepts of literary tradition, may not be familiar to an audience. Helen Vendler words you tradition long
