Being critical of art is a way of showing art respect. Jerry Saltz More Quotes by Jerry Saltz More Quotes From Jerry Saltz I think that writing is a process that tells you what you think. You sometimes actually don't know what your opinion is until you hear yourself trying to piece it out and have it make sense to you. The process itself is so bizarre and mysterious that you never know what it's going to tell you. Jerry Saltz writingtryingthinking Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them. Jerry Saltz gamesrunningart A metaphysical tour de force of untethered meaning and involuting interlocking contrapuntal rhythms, 'The Clock' is more than a movie or even a work of art. It is so strange and other-ish that it becomes a stream-of-consciousness algorithm unto itself - something almost inhuman. Jerry Saltz algorithmsmovieart A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage. Jerry Saltz wallhomeart While it may be a really trying, weird time for the art world, I see good work all the time. If you just go around to that many galleries, and if you stay open, you're going to see work with enough energy and surprise. I don't think I've ever gone to the galleries without coming home thinking, Gee, I now know something I didn't know this morning. Jerry Saltz homemorningart A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary painting from the collection, the bar has been set pretty low. Jerry Saltz groupsmuseumsart Abstract Expressionism - the first American movement to have a worldwide influence - was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and you'll find a would-be Willem de Kooning). Jerry Saltz warartschool Art is for anyone. It just isn't for everyone. Still, over the past decade, its audience has hugely grown, and that's irked those outside the art world, who get irritated at things like incomprehensibility or money. Jerry Saltz pastworldart Abstraction brings the world into more complex, variable relations; it can extract beauty, alternative topographies, ugliness, and intense actualities from seeming nothingness. Jerry Saltz topographyalternativesworld As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade. Jerry Saltz exhibitionslinesthinking As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace. Jerry Saltz journeytwomuseums A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we went from being the center of the art world to being one of many centers. Jerry Saltz new-yorkpastart Now people look at 'The Scream' or Van Gogh's 'Irises' or a Picasso and see its new content: money. Auction houses inherently equate capital with value. Jerry Saltz iriseshousepeople I think that cynicism is the enemy. Cynicism thinks it knows how things work. "Oh yeah, you know how that works." I think uncertainty is the thing you have to keep embracing. You have to keep saying, I actually don't know, and going out is going to tell me something every time. Jerry Saltz cynicismenemythinking Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta, established in 1955 and held once every five years in Kassel, Germany, is seen as the most serious. A statement show. Jerry Saltz germanygroupsyears Don't talk. I can't hear myself see. Jerry Saltz i-can More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or make art about. Never mind the intellectual hypocrisy of this: Those who violate the clublike code are made out to be wrong, immoral, corrupt. Jerry Saltz hypocrisywritingart There's a lot of hate mail from readers. There's hate mail, threats, stalkers... I think that I'm bulletproof every week when I've turned something in. I think, I'm a god. Jerry Saltz weekhatethinking Recessions are hard on people, but they are not hard on Art. Jerry Saltz recessionspeopleart Yes, 85 percent of the art you see isn't any good. But everyone has a different opinion about which 85 percent is bad. That in turn creates fantastically unstable interplay and argument. Jerry Saltz opiniondifferentart
