Big studio comedies are such a headache. Penelope Spheeris More Quotes by Penelope Spheeris More Quotes From Penelope Spheeris I was always into music. I think everyone is when they're a teenager, as a way to drown out the world. Penelope Spheeris teenager world thinking When men have money and power they get turned on, sexually. They get horny as hell. Can't imagine why, though. Penelope Spheeris horny hell men I really feel kind of guilty spending 80 million dollars. People are starving in the world. Penelope Spheeris dollars people world I like to think about society as being a flock of birds: There seems to be a common consciousness in different time periods, and the new common consciousness reacts to the old standards. Penelope Spheeris different bird thinking I love punk rock, but I also love metal. Penelope Spheeris punk-rock punk rocks This generation has given up on growth. They're just hoping for survival. Penelope Spheeris marijuana teenage inspirational I live on this nice three acres in Hollywood. Penelope Spheeris hollywood three nice My mother was a barmaid and I was raised in a trailer park. I'm used to that language. I put it on the screen so that people could interpret it as they wish. Penelope Spheeris mother wish people For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck. Penelope Spheeris breathing movie people It is fun to try figure out the things that really are real and the things that aren't. Penelope Spheeris real fun trying Now, it's almost impossible to go out and do a film about a new form of music. Penelope Spheeris film form impossible If I could make a decent living doing documentaries, I would. I don't really care about [the other] stuff so much. But you can't make a living doing documentaries. Although it has affected my work, at least in that I think I make fairly realistic-looking pictures. Penelope Spheeris decent care thinking The first Decline I did was out of sheer love and appreciation for the music. In 1977, it was more about bands, because punk was a new form of music. It was groundbreaking and political. Penelope Spheeris aggravation political appreciation Nobody wanted to touch Decline III when they found out what it was about. Penelope Spheeris decline aggravation found I actually picked up copies of Decline I and II at a flea market once. I walked out without paying. Penelope Spheeris flea-markets fleas aggravation I feel that a documentarian has an obligation to tell the truth as he or she interprets it. And what I mean by that is that documentarians don't necessarily have the same sort of obligations that a journalist might have. A journalist might be called upon to be objective, whereas a documentarian is sort of forced to take sides. Penelope Spheeris obligation telling-the-truth mean Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them. Penelope Spheeris aggravation movie rights Many people have been able to get pitch meetings by just cold calling, especially the smaller networks and especially with the reality shows. Penelope Spheeris calling reality people If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it. Penelope Spheeris theft producers trying What I found interesting is that it's human nature to have a family. Penelope Spheeris human-nature found interesting
