Cyndi Lauper knows how to work a crowd. Ben Brantley More Quotes by Ben Brantley More Quotes From Ben Brantley Be prepared to have the breath knocked out of you. Ben Brantley be-prepared prepared breaths The eternal ambiguity of human motives and memory. Ben Brantley ambiguity motive memories What Mr. Kaufman and his team are after is less a portrait of any one person than one of the ethos of a place. In the deliberate, simple staging ... in which eight radiantly clean-scrubbed performers embody 60 different people against a bare-bones set, 'Laramie' often brings to mind 'Our Town,' the beloved Thornton Wilder study of life, love and death in parochial New Hampshire. Ben Brantley love-life team simple EVERY SINGLE DANCER, SINGER and BAND MEMBER is a BRILLIANT SOLO ARTIST Ben Brantley dancer band artist THE HOT (AND SERIOUSLY COOL) ENERGY that comes from the musical gospel preached by the title character of FELA! feels as if it could stretch easily to the borders of Manhattan and then across a river or two. There should be dancing in the streets! Ben Brantley rivers character two The cliche was always that 'everybody's a critic,' but it becomes truer every day. Long before reviews appear in the traditional outlets, you can now usually discover - somewhere in the thickets of the Internet - reactions to shows from people who've seen them in previews. Ben Brantley internet long people It's nowhere near as intense as what I imagine an actor experiences backstage, but I feel a fluttering nervousness before a curtain goes up on a play. I mean, any play, anywhere - on Broadway or the Bowery or in a church basement. Ben Brantley church play mean I have received hostile voice mail messages and e-mails. They are often anonymous, I'm sad to say, as anonymous messages are delivered only by very low forms of human life, in my opinion. Ben Brantley voice mail messages I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met. Ben Brantley challenges play moving Rage properly channeled can definitely give birth to good even great theater. Disgust, a more passive and distancing emotion, is far less likely to. Would you rush to a play called Look Back in Queasiness? Ben Brantley play giving looks I write the occasional entry for the 'Times' Theatre blog, especially when I'm in London and seeing two shows a day, but I don't tweet. I don't want to have to express my opinion in 140 characters. That's like writing haiku. You need a certain amount of legroom to review a play properly. Ben Brantley day you opinion theatre Whether you like it or not, a performance's triumphs and belly flops come to seem excruciatingly intimate, as if you were somehow partly responsible for them. Ben Brantley performance like you belly Theater criticism should be visceral, at least on some level, an articulation of that fierceness and passion. I usually do a fair amount of research before I see a show - on the history of previous productions (if it's a revival) and the creative team. Ben Brantley passion team research history I personally read criticism - at least by writers I enjoy - to stimulate a conversation in my own mind, and I like to think that's the function I serve for others. Ben Brantley think enjoy mind conversation The power of the print reviewer is one of those urban myths. There have always been shows that slipped under the critical radar to become popular successes: 'Tobacco Road', 'Abie's Irish Rose' and our old friend 'Spider-Man', which got the worst reviews in theatre history and is still apparently going strong. Ben Brantley road power rose history If you agree with a critic, you admire him or her. If you disagree, you despise them. We all feel a great need to be confirmed in our opinions. Ben Brantley feel great you admire
