Even if you don't feel like sitting down to write or working on that big proposal, or whatever it is, just show up anyhow and the rest will follow. Ayana Mathis More Quotes by Ayana Mathis More Quotes From Ayana Mathis I try to find the beauty in things. On dark days, I sit in my armchair looking at clouds and I am awed at how rain is made. Ayana Mathis dark rain clouds Half of what's wrong with people today is that they ain't got no place to go that makes them peaceful. Ayana Mathis peaceful half people You have to find a way of shutting the future out and focusing on the writing. One of the problems I'll have with writing my second book is getting back into a situation where I think about the words on the page rather than the publishing industry, or success, or any kind of readership I may now have. I'll have to do what writers do, which is focus on the story and nothing else. Ayana Mathis writing book thinking Racial terrorism affects the lives of white people and black people and everyone, everything. Racism is contaminating. It can affect the dogs in the street. So the process of beginning to rid the country of prejudice was in itself a kind of nation-building. Ayana Mathis racism dog country I think that if you just write your characters you end up with something that people can access. Ayana Mathis writing character thinking My book has a pre - civil rights setting with a post - civil rights sensibility. I believe less and less that there is something called "The Black Experience," though undoubtedly there was one once. Ayana Mathis black believe book There's a stereotype that to be a strong black woman is to be strong about being black. Ayana Mathis stereotype black strong I'm wary of being put in boxes. But at the same time, it's important that I embrace my identity as a writer who happens to be gay, and in my own way I do that. Ayana Mathis gay important identity In America, and no doubt elsewhere, we have such a tendency toward the segregation of cultural products. This is a black book, this is a gay book, this is an Asian book. It can be counterproductive both to the literary enterprise and to people's reading, because it can set up barriers. Readers may think, "Oh, I'm a straight man from Atlanta and I'm white, so I won't enjoy that book because it's by a gay black woman in Brooklyn." They're encouraged to think that, in a way, because of the categorization in the media. Ayana Mathis gay reading book I couldn't imagine a book with many characters in it and one of them not being gay. It would have felt like a glaring and problematic omission for me. But I also wanted to write that character as a person, not just a gay person. Ayana Mathis writing character book I started writing the book without realizing I was writing a book. That sounds stupid, but it's true. I'd been trying and failing to make a different manuscript work, and I thought I was just taking a break by writing some short stories. I'm not a very good short story writer - the amazing compression that is required for short stories doesn't come easily to me. But anyway, I thought I'd try to write some short stories. And a structure took shape - I stumbled upon it. Ayana Mathis stupid writing book I like to say I had a very varied undergraduate education. I was an English major first, and then at the end of my college career I decided I was interested in urban planning. I became an urban studies major, with a minor in poetry. I don't think I knew what I was looking for in my early twenties, but I know I kept not finding it. Ayana Mathis urban college thinking A belief in God may not be fully within me anymore, but there's still a belief in belief. The high drama and power of the Church has stayed with me. As a child in church, I saw grown men at the altar crying out for God's mercy. And the idea of someone doing that has become a joke in the popular culture, but when you are there and you see it, you experience - for a moment - an incredibly raw, honest, strange insight into what it means to be a human being. Those experiences don't leave you. Whatever you think of them, they are powerful experiences. Ayana Mathis powerful drama children The ways in which theological constructs pose questions about what it is to be a human being on this earth are deeply elegant and deeply interesting to me. I may not always agree with the answers religion offers, but I take great interest in the questions it poses. Ayana Mathis theological earth interesting Certainly I had from an early age a sense of the power and beauty of religious texts - the awesome magnitude of the Bible stories I was reading as a child. The hymns. The sermons. I can still vividly hear the sermons and the pieces of soft piano music played after them, the preacher asking if anyone wanted to come up to the altar and accept Christ as their savior. Ayana Mathis reading religious children At some point I just acknowledged, at least to myself, that I had a great deal of respect for people of faith. Faith is a strange and wonderful thing. You come up to a kind of wall of unknowing and instead of turning back in despair you leap over it into something else. The Church isn't why I'm a writer, but it's probably a part of it. Ayana Mathis despair wall people By sixteen I thought, "Ah, this is all crap, you're all sheep, I'm not going to church, leave me alone." And then at a certain point in my teens I started to go to Catholic churches, by myself. Not because I wanted to be Catholic, but because I wanted to light a candle and say something like a prayer and just sit there. There was something I was missing or trying to reconnect with. But it was a secret at the time. I'd developed this cynical persona and the last thing I wanted to admit was that I was skulking around churches in my spare time. Ayana Mathis cynical prayer missing I think of my success as a kind of fluke. How else could I possibly think of it? And although it's a banal thing to say, I wrote my book because I was writing my book. At first I didn't know I was writing it, and one of the amazing things that happened as I was putting sentences down on paper is that some of the things that are most sacred and important to me rose to the surface of the prose. Ayana Mathis writing book thinking If there had never been the Great Migration there would never have been jazz, there would never have been Michelle Obama. A lot of amazing black people exist in this country because of the Great Migration. That's nation-building. Ayana Mathis black country people I think a lot about race and the burdens of representation. There's an idea that because I'm writing a book set around the time of the Great Migration, and happen to be black, I'm trying to write a definitive account of the Great Migration, the so-called "black experience." That's not what I'm doing, and it can be frustrating. Ayana Mathis writing book thinking
