Every scene is a lesson. Every shot is a school. Let the learning continue. Martin Scorsese More Quotes by Martin Scorsese More Quotes From Martin Scorsese I grew up in the Lower East Side, an Italian American - more Sicilian, actually. Martin Scorsese east italian sides The Five Points was the toughest street corner in the world. That's how it was known. In fact, Charles Dickens visited it in the 1850s and he said it was worse than anything he'd seen in the East End of London. Martin Scorsese east london world I don't think there's a subject matter that can't absorb 3-D; that can't tolerate the addition of depth as a storytelling technique. Martin Scorsese technique depth thinking I just - I kind of see it that way. I find the higher angles down. I do - look, you can go back to the staircase shots in "Third Man" or the staircase in "La Dolce Vita." So I just find that visual construction in a frame. Martin Scorsese men looks way You've got to protect whatever creative talent you have left. Martin Scorsese talent protect creative I remember the Korean War very well. And I remember the soldiers who were POWs who supposedly were "brainwashed," quote, unquote, who gave in, so to speak. And when they came back, they were treated like pariahs and traitors. Martin Scorsese korean soldier war People have to start talking to know more about other cultures and to understand each other. Martin Scorsese other-cultures talking people I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very hard at that time for me to balance what I really believed was the right way to live with the violence I saw all around me - I saw too much of it among the people I knew. Martin Scorsese growing-up kids people I'm trying to find out what the hell we - who we are. Martin Scorsese who-we-are hell trying Mean Streets dealt with the American Dream, according to which everybody thinks they can get rich quick, and if they can't do it by legal means then they'll do it by illegal ones. Martin Scorsese dream mean thinking I wouldn't presume to be God's point of view. Martin Scorsese point-of-view views The vampire thing always works for some reason. Always works. Martin Scorsese vampire reason People want to classify and say, 'OK, this is a gangster film.' 'This is a Western.' 'This is a... ' You know? It's easy to classify and it makes people feel comfortable, but it doesn't matter, it doesn't really matter. Martin Scorsese matter want people I go through periods, usually when I'm editing and shooting, of seeing only old films. Martin Scorsese shooting film editing It is not the most brilliant that excel in film, but the most patient! Martin Scorsese brilliant patient excellence I do prefer doing more takes. There's something very organic that comes from the first take, but certain things come out. More details come out, in the way another actor says something. It's always this investigative process. You come further and further to the truth, the more you escalate. I like to do a lot of takes. I have a hunger for it. I like to see what there is to discover in a scene, that hasn't been thought of. Martin Scorsese details actors way A lot of what I'm obsessed with is the relationship and the dynamics between people and the family, particularly brothers and their father. Martin Scorsese brother father people I happen to like vampires more than zombies. Martin Scorsese vampire zombie happens Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But then we uncovered another, deeper level, the history behind rock and R&B, the music behind our music. All roads led to the source, which was the blues. Martin Scorsese records rocks levels All I can do is try to do the best work I can. I need to work, I like to work... although I complain about it, but I do like it - and I just need to make the best film I can. Martin Scorsese complaining trying needs
