Hope is a contraband passed from hand to hand and story to story. John Berger More Quotes by John Berger More Quotes From John Berger The relation between what we see and what we know is never settled. Each evening we see the sun set. We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight. John Berger eveningearthsight We never look at just one thing; we are always looking at the relation between things and ourselves. John Berger just-onerelationlooks We only see what we look at. To look is an act of choice. John Berger choiceslooks The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare. John Berger theatrepeopleart Photography, because it stops the flow of life, is always flirting with death. John Berger flirtingflowphotography Those who first invented and then named the constellations were storytellers. Tracing an imaginary line between a cluster of stars gave them an image and an identity. The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky. John Berger starsskynight I can't tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten. Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor. John Berger revengepastart Photographs bear witness to a human choice being exercised in a given situation. A photograph is a result of the photographer's decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless. John Berger photographychoicesdecision Men look at women. Women watch themselves being looked at. John Berger lovemenwatches Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress. John Berger nakeddressesbeauty To be desired is perhaps the closest anybody in this life can reach to feeling immortal. John Berger immortalthis-lifefeelings The past grows gradually around one, like a placenta for dying. John Berger growsdyingpast In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man. John Berger oilaveragemen The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich. John Berger scarcityprioritiesworld All photographs are there to remind us of what we forget. In this - as in other ways - they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it. John Berger painphotographyopposites The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can't do is to change its consequences. John Berger prisonerwishpast Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence. John Berger paintingrealabsence That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to believe. John Berger naturebeautifulbelieve The camera relieves us of the burden of memory. John Berger camerasphotographymemories At times failure is very necessary for the artist. It reminds him that failure is not the ultimate disaster. And this reminder liberates him from the mean fussing of perfectionism. John Berger artistperfectionmean
