I always thought I'd be a New York theater actor, riding my bicycle to rehearsal. That was all I ever wanted. Philip Seymour Hoffman More Quotes by Philip Seymour Hoffman More Quotes From Philip Seymour Hoffman I think you gotta have an honesty and a humility about human nature and that it's not about you at the end of the day. Philip Seymour Hoffman honesty humility thinking Sometimes I take a temperature of things just because everyone else does. Especially when I'm doing a play. I want to know what people are thinking, positive or negative. Philip Seymour Hoffman play people thinking When you think about [Truman] Capote in the - was what he did exploitative of a person's life or exploitative of these murders? You look at our culture now, you look at celebrity and how it plays out in our culture now, and Capote was one of the great PR men of his time. Philip Seymour Hoffman play men thinking Being with a kid always takes you to being a kid somehow, and they really are showing me a childhood I might not have had in some way. Philip Seymour Hoffman childhood might kids If all people are encouraged to actually see who they're coexisting with, or even if they're not coexisting with other people.It's like to look at the world you're in. Philip Seymour Hoffman people looks world There is no pleasure that I haven't actually made myself sick on. Philip Seymour Hoffman pleasure sick made If I'm directing actors, I learn about acting that way. If I'm acting, I learn about directing that way. Producing is just something that's come about because there's projects I find interesting that I would like to help get done. Philip Seymour Hoffman actors acting interesting I do feel like all the people I meet, all the people I'm in discussions with, if I'm working with somebody, I sense the same energy that everybody is suffering from the same predicament. Philip Seymour Hoffman energy suffering people I think good art, if I could be pretentious enough to say, I think good art deals with the micro to explain the macro. Philip Seymour Hoffman enough art thinking There's something in the very small minutia of life that tells us something about the big, big picture that we see every day all over the place, and so I think the more specific and creative and revelatory you are in the micro, the more powerful the macro will be. Philip Seymour Hoffman powerful creative thinking Bob Glaudini, the writer, he's a wonderfully talented man and all his plays and his screenplays, they all have sense of something bigger, even though you're looking at something very simple. Philip Seymour Hoffman simple play men With "Good Night, and Good Luck," I think it's kind of obvious what [Truman Capote]'s getting at there, and the importance of how it's playing out today, that is journalism doing, are the journalists doing their job, are they being the other checks and balances in our country that the way that obviously Edward R. Murrow was back then. Philip Seymour Hoffman good-night jobs country I would never not work on the part without it playing. That's what being an actor is. You use everything that's influenced you to help you get out of yourself or be more creative. Philip Seymour Hoffman actors creative use [Truman Capote] was not only just selling his writing, but he was selling himself as a person. Philip Seymour Hoffman truman selling writing When you read, you think, and when you smoke, you think. It's a pleasurable thing, and not a duty. Philip Seymour Hoffman smoke duty thinking When you see the carrot at the end of the stick, what do you do to get it? These kinds of things that come up, that come up in the story of Capote writing "In Cold Blood," and when you see the movie, you'll see what I'm talking about. Philip Seymour Hoffman writing talking blood There's things that you don't want to do and they keep haunting you and following you. Bennett Miller directed this project [Capote], who is a friend of mine since I was 16, and Danny Futterman wrote it, and he's also been a friend of mine since I was 16. Philip Seymour Hoffman haunting projects want In order for something to be born, something has to die.That's not always, but there is something about that that I find to be true. That is, it's a natural thing. Philip Seymour Hoffman born natural order When you're acting, you're subjective; when you're a director, you're more objective.You're kind of watching from the outside and helping others, and therefore I learn my mistakes through others, and also my assets through others. Philip Seymour Hoffman acting helping-others mistake You have to have a personal connection. You have to really want to do it, because if you don't, investing yourself personally, your thoughts, your emotions, yourself into a part, is something you're not going to want to do as much. Philip Seymour Hoffman investing connections want
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