I always write as I like to write, and I've been thinking about it because I honestly didn't realize how different my stuff is, until I started looking at other people's scripts as a producer. William Monahan More Quotes by William Monahan More Quotes From William Monahan As a director, you're given a tremendous apparatus to work with, and very great talents are available to you. William Monahan talent given directors Whatever you cut when there's no deadline isn't really a cut. You're just pushing colors around. William Monahan pushing cutting color I think probably everybody works most on the beginning and the ending. William Monahan thinking I've always been a bit repelled by "Sunset Boulevard", which is wrong about almost everything it touches, whether it's fame, Hollywood, screenwriters, or old ladies. Sunset Boulevard would only make sense to me if it was about John Gilbert and the pool boy. William Monahan sunset hollywood boys I wanted to do London Boulevard because I saw the potential of a story about two people who need each other desperately, who love at first sight, as one does, and above all a story in which no one is what they appear to be. William Monahan sight two people I was particularly anxious that I shoot the tires out of the class system. All it is these days is a hobby of certain masochists, and certain sadists. William Monahan hobbies tire class I had a guy at the Groucho bar clawing at my arm nearly in tears saying that until he saw The Departed he thought Americans were the ones on TV. I didn't know you had accents. I didn't know you had a class system. I didn't know you were like us. To which the answer is, probably only where I grew up, but while we're at it don't watch television and think it's the United States of America. William Monahan class america thinking There's only one way to prep, so far as I know. You have your script, you hire the people you want, you find your locations and your setups, everybody shows up and you shoot the film. William Monahan want people way I'm a guy whose first motion picture experience was seeing Ridley Scott glide past on a camera on a hundred and fifty million dollar film, and prep two movies, and there is no way to overstate that when you've worked with Ridley, it's like having been a quarterdeck lieutenant to Lord Nelson. William Monahan guy two past Martin [Campbell] is very energetic and precise. He'll on the set like four hours early with a flashlight and I thought, well, I'll certainly try to be very neat about my script like Martin, which I wasn't, but I'm not going to do that bit with the 4AM and the flashlight. I'd love to be able to say I was nervous, but I wasn't. The only time I ever had anxiety it turned out to be asthma. William Monahan anxiety four trying I hate doing anything in offices. I either want to be out in the world or in my own environment - and it should be your own environment that you work in. William Monahan hate office world You're not turning the picture over to a system or a process, you are the process, and the most important thing is to have things exactly as you want them. William Monahan important process want I love editorial and sound and music, and I was working with the best people, so you learn a lot. William Monahan sound-and-music sound people For some reason, I seem to work well with actors. I love working with them. William Monahan wells actors reason