I am secretive. Always have been. And one way that secrecy manifested in my early life was that I was adept at juggling multiple social realities: I could get by no problem in many social arenas (including that of high school), but also felt alienated and totally uninspired by everything that happened there.

Melissa Febos

It has been my experience that the people I judge most harshly are the ones in whom I recognize some part of myself.

Melissa Febos

has-beens judging people

New York at night, from its bridges, is a miracle. When I first came to the city, it took all my fantasies and set them on fire, turned them into flickering constellations of light.

Melissa Febos

new-york fire night

The frustration of being marginalized often gets misdirected at the most visible members of one's own community, because they are more accessible than the real agents of marginalization.

Melissa Febos

frustration community real

Anyone who makes a life of what they love is a hero to me, and it's important for those people to be visible in every kind of life, every kind of love, every kind of work.

Melissa Febos

hero love-is people

Fiction stymies me with its possibility. I can't see the bottom and I freeze, cling to the side, or just choke. In nonfiction, particularly that which takes personal narrative for its primary topic, I have a finite space and a finite amount of material. I can't fabricate material, I can only shape and burrow into it.

Melissa Febos

shapes space fiction

I was in the fantasy. I was selling myself on the fantasy as I was doing it. It never occurred to me. I did take notes, but just because I am a writer. I've been a writer since I was five. You don't have any sort of outlandish, shocking, extraordinary, horrifying experience without writing it down, because I know and knew that you forget things. No matter how outrageous and amazing and extraordinary and seemingly unforgettable an experience is, it's kind of like a dream. It will erode inevitably, for me.

Melissa Febos

erode dream writing

Abandonment by a lover won't kill us. But it awakens the parts of us that remember when it could.

Melissa Febos

remember-when lovers remember

I could not kick heroin to save my life, literally, until I started telling my secrets. It was some of the clearest evidence I've ever found of anything. It was the only immediate change in behavior I've ever undergone. I told the most frightening truths, and I was free.

Melissa Febos

heroin behavior secret

Being a dominatrix, sticking my foot up people's asses for money, necessitated that I divorce myself from any sort of objective perspective on what I was doing. In order to think about things as a writer you have to objectify your experience. I couldn't have been enacting that experience if I was objectifying it.

Melissa Febos

divorce order thinking

I never think about anything in my brain. I think in very small repetitive circles inside my own brain. That's why I'm a writer. It's the only way I get any sort of conclusion or understanding about anything.

Melissa Febos

circles understanding thinking

I couldn't have articulated this process at the time; I just sort of did it instinctually. But now when I talk about this with my students all the time, it's one of the first things I address in memoir classes - that you have to put it all in because you're writing your way into the ending of your own story. Even if you think you know what the story is, you don't until you write it. If you start leaving things out you could leave out vital organs and not know it.

Melissa Febos

writing class thinking

I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.

Melissa Febos

writing book thinking

I think that more so, my wonderful skill of dissociation came in very handy. I care very much what other people think. I'm a total pleaser. I want everyone to like me all the time. I feel like people who don't feel that way on some level are lying, but particularly female memoirists. We want to be seen and we want to be forgiven. So that occurred to me very early on.

Melissa Febos

skills lying thinking

Me writing the book and the subsequent interactions that we had were actually the cap on that experience. We were still in this weird purgatory about it when I published the book. When I gave them the galleys and what ensued after that, then I understood a lot more about our relationships and what the experience meant to them. I'd never wanted to know what they thought about it at all.

Melissa Febos

our-relationship writing book

I saved letters from my boss. There are things in there that are directly transcribed. I was so glad I did that. Sometimes when I was writing the book I wondered if some little writer hobbit part of my brain was back there puppeteering that action. But it really never, on any conscious level, occurred to me that I would write about it. I will say, I thought probably some day there would be an ancillary character in some novel - not in the one I was currently writing - that would be a dominatrix or something.

Melissa Febos

writing character book

You don't know how people are going to respond. But I would add to that, that getting your heart broken is not the worst thing and it's actually quite unavoidable. I think in some ways I had to break my father's heart and then face that in order to have a real relationship with him.

Melissa Febos

real heart father

The lovers enter into a story together - "this how we met, this is how we were meant for each other" - and then at some point (in my experience, at least), the story splits, and they no longer share it. Then, you either change the story, or you break up. I've always broken up.

Melissa Febos

broken stories together

I can still discern people's weaknesses, but it doesn't make me want to exploit them; it makes me want to hug them.

Melissa Febos

hug weakness people

Our lives are a long series of acquiring and then sloughing narratives.

Melissa Febos

our-lives narrative long

I've always looked very closely at people, and seen a lot; that was true even when I was a kid. That's what made me a good domme, but it's also what makes me well suited to being a writer, and a teacher.

Melissa Febos

teacher kids people