I can hear what I want [people] to play. If you don't hear what you want someone to play, then you can't tell 'em. Miles Davis More Quotes by Miles Davis More Quotes From Miles Davis They [police] do me like that all the time! "What you work for?". Miles Davis police Trane was the perfect saxophonist for Monk's music because of the space that Monk always used. Trane could fill up all that space with all them chords and sounds he was playing then. Miles Davis music space perfect When we edit the music, I always remember, "It's my band. Save me a place to play." Miles Davis band play remember I couldn't do "What's Love Got To Do With It", Tina Turner because it wasn't the right tempo; so I scratched it from the record. I wanted to do it about a year ago, but something happened. Miles Davis records wanted years Joao Gilberto on guitar could read a newspaper and sound good. Miles Davis guitar music sound I keep telling Ron Lorman and them in the control room, "It's my band! The reason I have a band is because I can't stand for somebody to tell me what to do." Miles Davis band reason rooms Birth of the Cool' became a collector's item, I think, out of a reaction to Bird and Dizzy's music. Bird and Diz played this hip, real fast thing, and if you weren't a fast listener, you couldn't catch the humor or the feeling in their music. Their musical sound wasn't sweet, and it didn't have harmonic lines that you could easily hum out on the street with your girlfriend trying to get over with a kiss. Miles Davis girlfriend real sweet As long as I've been playing, they never say I done anything. They always say that some white guy did it. Miles Davis guy white long [Prince] could very well be the Duke Ellington of Rock 'n' Roll. Miles Davis rock-n-roll dukes rocks I began to realize that some of the things Ornette Coleman had said about things being played three or fours ways, independently of each other, were true because Bach had also composed that way. Miles Davis music three way [Jazz musicians] feel comfortable with their clichés, you know. Miles Davis jazz musician feels Lionel [Richie] said, "Yeah, I learned chords and stuff playin' against your albums." Miles Davis chords albums stuff Maybe you play a melody twice. You play it once like you like it, and some parts that you don't like you can just switch. An eight-bar motive - you can just take it and put it in the front or back or something like that. It can save you 50 or 60 or 70,000 dollars, a drum machine. That's why everybody uses it. Miles Davis eight dollars play The only way a drum machine will get out of beat is for you not to pay your electric bill. Miles Davis machines bills pay I can tell. I'm gifted with that, you know. When I hear that the tempo is slightly off, it's hard for me. Miles Davis tempo gifted knows It's a different ballgame now, so that lets [teo] Macero out. He's always complainin', always sick. Miles Davis ballgame sick different The reason [drummers] call things "unison", and they sound unison, is because you actually play two different tempos . . . like you're a little sharp, or a little flat; it's so slight that they call it "unison", but it's not unison. Miles Davis sound play two Like Ron Lorman's always sayin', "Na-na-na-na-na," you know what I mean? I don't need that in the studio. Miles Davis studios mean needs Some of [drummers] drop time because they want to hear what you're doin'. Miles Davis drummer want Jazz musicians are so comfortable. The reason they can't do what we do is because they're so comfortable doin' what they do. Miles Davis jazz musician reason