I definitely think an on-screen experience is universal, in a way. Martine Syms More Quotes by Martine Syms More Quotes From Martine Syms There's no reason to be ashamed of feeling good. Martine Syms feeling-goodfeelinggoodreason I guess I can be a little mischievous! Martine Syms guesslittlemischievousi-can Entrepreneurs create value; I wanted to create ideas that became machines for making value. Martine Syms valuecreatemachinesideas Representation is a sort of surveillance. Martine Syms sortsurveillancerepresentation One of my early memories is of a white girl twirling in a circle. I realized later on that it was from that show 'Small Wonder' - the oldest I could have been when I was watching it was four or five, but it's one I think about a lot. It's stuck in my head, this terrible Fox television show. Martine Syms thinkgirlwhitememories I feel like there are actually a lot of relationships between a website and a film in terms of designing an experience for a screen. Martine Syms i-feel-likefeelwebsiteexperience I'm really obsessed with this show right now called 'Power,' produced by 50 Cent. Martine Syms showrightnowpower My family, my background... it just parallels really nicely with a lot of social and cultural movements. Martine Syms backgroundjustfamilysocial At some point, all black movies became biopics. All the good, serious ones became biopics. 'Ray,' 'Ali'... those types of movies, those are the opportunities available for mostly men. Those are the opportunities for a black actor to transcend 'black' movies. They have to play a black icon. Martine Syms goodblackseriousmen It's weird how the Internet changes everything. The kind of narrow casting... instead of reaching for a broad audience, you are reaching for a more targeted audience. Martine Syms weirdeverythingyouinternet I grew up in Altadena, California. Martine Syms upgrewcalifornia I was very conscious of the film industry - a lot of people, neighbors, worked in it. I actually grew up doing a bit of extra work myself. I was homeschooled, and it was a way that I could make money. My parents let us do these jobs, and I never got very far, but I was much more interested in what everybody else was doing, and I liked being on set. Martine Syms myselfmoneyworkpeople I'm so voracious with books, movies, TV, and I'm always interested in the way that different cultural values are presented or, in their absence, are present. Martine Syms presentmoviesvaluesway A lot of my work, the subject is film and television itself, and history, and how that kind of coincides with larger cultural history and memory. Martine Syms memoryworkhistorytelevision I think the sitcom is the format for television. It's the essential form, and it represents more of the canon of TV, which is why I latched onto it. Martine Syms whymorethinktelevision I grew up in Los Angeles. I watched lots of television; I still watch lots of television. Martine Syms watchstilluptelevision I've always been interested in the manufacturing of narratives, identities, and ideologies, and how they are embodied and negotiated by viewers. Martine Syms beenhowalwaysmanufacturing There's an uncanniness to living in Los Angeles, from the way you move through the city to the moments of feeling familiarity or deja vu, like you've been somewhere or you know something when you really don't. Martine Syms cityfeelingyouway I didn't really grow up with any traditions. I grew up in a pretty liberal household in Southern California. I think that's part of my interest in thinking about heritage. I don't have a second language or cultural heritage in that way. Martine Syms growthinklanguagethinking Pipilotti Rist is a Swiss video artist I learned about pretty early on. She's one of the first contemporary artists I knew about and was really drawn to. Martine Syms sheprettyfirstartist
