Lucy Walker: I don't know if people realize how hard I work, because s...

I've always been a fiction filmmaker and I've been heading in the direction of fiction filmmaking, doing documentaries along the way.

Lucy Walker

documentaries way fiction

I am riveted by extreme sports like big-wave surfing, 'megaramp' skateboarding and half pipe snowboarding. I am fascinated partly because the sports are so exhilaratingly acrobatic. But I am also captivated by the fear that a terrible accident might happen at any moment. And accidents do happen.

Lucy Walker

snowboarding surfing sports

I remember when the Berlin Wall fell and suddenly intractable problems get solved.

Lucy Walker

berlin wall remember

I think we've reached that point where we understand medically what we are doing to ourselves with these sports. In football, it's kind of hard to get the access that you want for the story and, of course, it's very long-term: the effects of the repeat concussions really don't hit until decades afterwards, whereas the traumatic injuries in extreme sports are very immediate. I realized Traumatic Brain Injury was a fascinating and important story that not had been told very much. I wanted to know more.

Lucy Walker

football sports thinking

I don't believe in objectivity. I observe the observer's paradox every moment I'm filming. Your presence is changing everything; there's no mistaking it. And you have a responsibility.

Lucy Walker

objectivity responsibility believe

I have always been interested in garbage: What it says about us. What in there embarrasses us, and what we can't bear to part with. Where it goes and how much of it there is. How it endures. What it might be like to work with it every day.

Lucy Walker

garbage bears might

I can ask someone to let me into all aspects of their life for several years, but people have got to have that gift: that courage and that talent for opening their lives to the camera. Being candid is a gift, and that's what the audience responds to. Part of it is me asking, and part of it is just their inherent talent, which is what you are looking for when you make documentaries - people that are really going to let you in on what they are going through.

Lucy Walker

let-me talent people

With portable cameras and affordable data and non-linear digital editing, I think this is a golden age of documentary filmmaking. These new technologies mean we can make complicated, beautifully crafted and cinematic films about real-life stories.

Lucy Walker

technology real mean

I love great locations in movies, and I couldn't believe I'd never seen a landfill on screen before. It was the most haunting place.

Lucy Walker

haunting location believe

My main trick is to work with amazing people. It's a long and twisty journey and you need people that really are amazing and have this rare gift of honesty and courage and really open up.

Lucy Walker

honesty journey long

There's a theory of accidents that I studied when I was making a film about nuclear weapons: you can never eliminate accidents, because the measures you introduce to prevent accidents actually produce more accidents. That's certainly true of this sport; you're flying over 40 feet of what might look like snow, but it's hard as ice, it's as hard as pavement. You're doing acrobatic spins and tricks, 40 feet above pavement, essentially. There's been more accidents since, and there are going to continue to be more accidents, that's the nature of the sport.

Lucy Walker

flying snow sports

I love my work, apart from when it's driving me crazy. But I get to be interested in stuff and think like a filmmaker as I'm buzzing about the world and then see an opportunity to make a film, and then make it happen.

Lucy Walker

crazy opportunity thinking

I find titles the hardest thing. I was worried that 'Waste Land' was too much of a downer. For me, 'The Crash Reel' confronts what the film is about: it's not just about the reality of a crash, it's about the extremity we all face, and what happens when life crashes on you.

Lucy Walker

titles land reality

Some documentaries are made by people who are driven more by one particular story, or have different backgrounds or ambitions, but I'm always looking for projects that let me be the best filmmaker I can be, and to be stretched and grow further.

Lucy Walker

different ambition people

I'm not an expert on how to configure the sport, but I can observe and say that accidents seem to be a part of it. The athletes are incredible, with the courage that they accept the risk of death, paralysis, and brain injury. These are really life-changing, life-threatening injuries, and the risk is extremely high.

Lucy Walker

risk athlete sports

I can't help seeing 'Waste Land' as the third in a triptych with my earlier films 'Devil's Playground' and 'Blindsight,' and not least in the awe and gratitude I feel for the group of people who were courageous enough to share their stories with us - and to live lives so rich in inspiration for us all.

Lucy Walker

gratitude live-life inspiration

The world needs more women filmmakers, so we have to keep encouraging ourselves and one another, and eventually things must get easier for us.

Lucy Walker

easier world needs

I love making fiction films as well as nonfiction ones, and hope to keep challenging myself to make better and better work.

Lucy Walker

challenging-myself challenges fiction

Why is nobody questioning the sanity or suicidal tendencies of Everest ascenders? It's kind of a question of framing: How do you frame these activities? We frame them as freedom-loving, exciting, progressing sports and they are. But there are other ways to frame it. It's also true that these young men, neurologists say that their frontal lobes aren't developed yet - the long-term planning part of the brain.

Lucy Walker

suicidal sports men

The world of extreme sports is also one of the big businesses. Kids might think that snowboarding is the ultimate freedom, but this freedom is being marketed to them by commercial sponsors.

Lucy Walker

sports kids thinking

I don't know if people realize how hard I work, because sometimes people ask me for my secret. The truth is that I don't have any secrets apart from the fact that I've been directing theater and film for twenty years and trying at every stage to make my work better.