I have not Googled myself. I have not looked at myself on Amazon. It could drive you wild. Kate DiCamillo More Quotes by Kate DiCamillo More Quotes From Kate DiCamillo I think I'm succinct to the point of trying to write the two-word novel. Editing my work almost never means taking anything out but rather adding, because I'm always stripping down. I tend to under-write rather than over-write. Kate DiCamillo writingmeanthinking We all live in fear of getting blocked no matter what kind of art we're trying to do. It happens all the time, but I prefer to think of it as a bad day. Kate DiCamillo bad-dayartthinking I like going to schools and telling classes that when I was a child, I failed every "will this kid become a writer" test. Kate DiCamillo kidschildrenschool When I was a kid I loved to read, but I didn't write and I didn't create imaginary worlds. So, if one student walks away thinking, "She's obviously just an ordinary person, yet she gets to make her living doing what she wants to do. Maybe that applies to me, too," then I feel like my time has been well spent. Kate DiCamillo writingkidsthinking There's a notion of art in this country that you have to be nutty or special or "called" in order to be an artist. I believe the questions everyone should ask themselves are, "Do you want to do it? Are you willing to do it poorly? Are you willing to do the work of doing it? Are you willing to persist when everybody tells you it's silly?" If you're willing to do that, then you can do it. Kate DiCamillo believecountryart Reading a story should be a fabulous, wonderful thing. The most important thing that parents can do for kids is to read with them and to let their kids see them reading books for their own pleasure. Kate DiCamillo readingkidsbook I'm grateful for every teacher or librarian who reads a book and says, "This is exactly the book that so-and-so needs to read; I'll get it in his hands." I'm amazed at the network of adults who make sure that kids get books. Kate DiCamillo gratefulteacherbook There's nothing more fabulous than an adult saying to you, "I think that you might like this one [book]." So I'm grateful every time that happens. It's an amazing thing that people care that passionately. Kate DiCamillo gratefulbookthinking May God strike me down with a hammer on the head before I write a book with a teach-y goal! Kate DiCamillo goalwritingbook I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play. Kate DiCamillo scaryplaywriting It's a book [Bink & Gollie] about shortness and tallness, so I think it's appropriate to discuss the virtues of shortness. Kate DiCamillo virtuebookthinking I always wanted to be a character, when I worked at Disney, but I wasn't short enough for certain characters and I wasn't tall enough for others. I wanted to be a chipmunk; I think 4'10" was the cutoff. Kate DiCamillo enoughcharacterthinking When I do it [writing] by myself, there's a lot more terror and uncertainty. Kate DiCamillo uncertaintyterrorwriting I think Tony Fucile, who did the illustrations [for Bink & Gollie], is an absolute genius. I've never met him. Kate DiCamillo illustrationgeniusthinking I think we sent Tony Fucile pictures of ourselves, photos from like when we were seven years old. That's what he worked from. He captured exactly what we looked like. I'd love to do another one with Alison, not just for the joy of writing, but also for the joy of watching Tony bring it to life with his illustrations. I'm hoping at BEA, or ALA, I'll get to meet Tony and shake his hand and thank him. Kate DiCamillo illustrationwritingthinking I always go to the Agriculture Building, where they make apple cider popsicles for a dollar. Kate DiCamillo agricultureapplesdollars Love is in all of the books, and that's the connective tissue between them. There's a lot of hope in me; I can feel it. These stories are balls of light for me. Kate DiCamillo lightlove-isbook The Tiger Rising is, again, about a motherless child. His name is Rob Horton. He is dealing with the death of his mother, when he and his father move to a new town. And two things happen the same day that Rob gets sent home. One is he meets a girl named Sistine Bailey, who is what my mother would call "a piece of work," and he finds a real tiger in a cage in the woods behind the motel where he lives with his dad. And that's the story: what happens with the Sistine tiger, the real tiger and Rob's grief. Kate DiCamillo girlmotherchildren [Our first dinner with Alison McGhee] was at Figlio's [in Minneapolis]. I know exactly what I had, because it was so good: their three-cheese ravioli. But I can't remember what I said to Alison that night that made her laugh so hard. But she got me right away and I got her right away. Kate DiCamillo threelaughingnight Holly McGhee said I should come to dinner with them. That first dinner, I said something pretty smart-alecky, and Alison [McGhee] laughed really hard at it. It made me happy. Kate DiCamillo holliesdinnersmart
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