I learned I could be miserable anywhere in the world. I learned I really was an American. Lynne Tillman More Quotes by Lynne Tillman More Quotes From Lynne Tillman You can think everything is dire, but you act as if there's possibility. I see children coming into the world as an expression of this. Sometimes, not always - it can just be somebody that wasn't on the birth control pill or didn't have access to abortion. But I usually see a wanted child as a sign of optimism, and I like that. Lynne Tillman optimismchildrenthinking Nonfiction gives you subjects. Writing fiction I can have more fun, but I have to invent my subject. Lynne Tillman writingfungiving I still do believe that form and content are very much related. I think throwing away some of the rule books on that is a good thing. Lynne Tillman believebookthinking I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection. Lynne Tillman reflectionwritingthinking Without curiosity a writer is dead. Lynne Tillman curiosity Wanting to know all kinds of things is perfect for novelists, because novelists are generalists. We're not specialists in anything, except, hopefully, writing. Lynne Tillman kindperfectwriting Whether they're ghosts of great writers or people I loved - some died because of AIDS, others under mysterious circumstances - I don't want to forget these people, ever. That's very much a part of my still being alive - to remember those who aren't here anymore. Lynne Tillman mysteriousghostpeople Jokes are great capsules of information. I think they should never be censored. They often are offensive - and we're offended by different things - but I believe deeply in what Freud wrote of their relationship to the unconscious, which is that jokes come to help us. We laugh so as to dispense with, or to express, some ambivalence or discomfort with the things around us. That's what laughing is: a release. Lynne Tillman laughingbelievethinking Ulysses pissed me off. When Molly Bloom just says, "Yes I said yes I will Yes." And I'm thinking, You should be saying no, Molly. How about no? Saying no is great. Lynne Tillman ulyssesthinking You know how some people are upwardly mobile? I'm sort of downwardly mobile in the publishing world, because of my sales figures and also because of the kind of books I write. Everything really counts on sales. I started out with a bigger press, my first few books. But I've always done some things with independent and small presses and small magazines and I always will. Lynne Tillman independentwritingbook I also think that the issue of doubt and uncertainty is always a good thing and I question why I believe what I believe. I see things changing all around me and I don't feel devoted to a form. If I'm devoted to anything, I'm devoted to the attempt - the "trying" to do something. Lynne Tillman doubtbelievethinking If I have to work on something for too long, then it must be wrong. At a certain point, if I've worked on a sentence for about an hour, then I realize that it's probably not the right sentence and means I'm trying to make something fit that's ungainly. Lynne Tillman tryinglongmean Conversation on the page should reflect what the story is about. It doesn't have to be "realistic" in the sense that it's something you heard and plugged into a story. Lynne Tillman realisticpagesstories I'm interested in reality but I'm not interested in realism at all. Lynne Tillman realismnot-interestedreality You have to create the space for the possibility of people speaking as they do. If writing is supposed to lead us in any way or educate or suggest other ways of being, it can't do so by simply reflecting what's considered to be realistic. I'm not a realist in that way. Lynne Tillman spacewritingpeople It's easy, at this point in my life, very easy to write a beautiful sentence that's meaningless. A lot of writers do that. But I don't want it to be meaningless. I want it to actually say what I want it to say, and so I'm thinking about it again and again and again. Lynne Tillman writingbeautifulthinking A friend of mine, a poet, Rebecca Wolff recently said to me, "You know, your stories are really voice-driven," and I guess I knew that already, but it's so true that I can't get something going unless I can hear the voice. Lynne Tillman poetvoicestories I subject my sentences and the words to a kind of Grand Inquisition. I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence. Not beautiful in the sense of "oh it's flowy" but in the sense that it really does what it's supposed to do, it what I want it to say. Lynne Tillman tryingbeautifulthinking In a practical sense, pain kept me from sitting down as much, so that sometimes I would have to stand to write. Not that I would necessarily have gotten anywhere anyway. But it definitely set me back to be in so much pain. Lynne Tillman sitting-downpainwriting Now that I'm an older woman, I'm so much more aware of the changes - almost too aware. I feel sorry for being so dismissive. You have to think about what you're thinking about and realize that you're thinking it. Lynne Tillman realizingsorrythinking
