I learned the tricks... If you want to do academic things, you can do them. It is not difficult. Yet it is from this difficulty - the mistakes and dead ends - that artists develop, not through the quick solutions and not from something you learn and apply.

Isamu Noguchi

Categorized in : Mistake Want Artist

It is weight that gives meaning to weightlessness. by Isamu Noguchi

It is weight that gives meaning to weightlessness.

wisdom meaningful giving

You can find out how to do something and then do it or do somethi... by Isamu Noguchi

You can find out how to do something and then do it or do something and then find out what you did.

Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.

sculpture space ideas

When an artist stopped being a child, he would stop being an arti... by Isamu Noguchi

When an artist stopped being a child, he would stop being an artist.

being-an-artist artist children

To order space is to give it meaning. by Isamu Noguchi

To order space is to give it meaning.

space giving order

Brancusi made me realize that what I had learned previously — the quick ways of doing things — was all wrong... It is not the quick solutions. It is not something you learn and apply. After all, it is a search you have to enter into yourself.

realising made way

We are a landscape of all we have seen. by Isamu Noguchi

We are a landscape of all we have seen.

garden inspirational life

I am always learning, always discovering. by Isamu Noguchi

I am always learning, always discovering.

always-learning discovering

The best is that which is most spontaneous or seemingly so. by Isamu Noguchi

The best is that which is most spontaneous or seemingly so.

spontaneous

For me it is the direct contact of artist to material which is original, and it is the earth and his contact to it which will free him of the artificiality of the present and his dependence on industrial products.

contact artist earth

In my work, I wanted something irreducible, an absence of the gim... by Isamu Noguchi

In my work, I wanted something irreducible, an absence of the gimmicky and clever.

absence clever wanted

When the time came for me to work with larger spaces, I conceived them as gardens, not as sites with objects but as relationships to a whole.

site garden space

The attractions of ceramics lie partly in its contradictions. It is both difficult and easy, with an element beyond our control. It is both extremely fragile and durable. Like 'Sumi' ink painting, it does not lend itself to erasures and indecision.

difficult-and-easy ink lying

Art should become as one with its surroundings. by Isamu Noguchi

Art should become as one with its surroundings.

surroundings life art

Appreciate the moment. by Isamu Noguchi

Appreciate the moment.

appreciate appreciation life

It is said that stone is the affection of old men. That may be so. It is the most challenging to work. A dialogue ensues – of chance no chance, mistakes no mistakes. No erasing or reproduction is possible, at least in the way I work, leaving nature’s mark. It is unique and final.

unique mistake men

I perceive my limitations even as I work. There are times when I see nothing but restrictions, barriers. Learning takes time.

take-time perceive restriction

The art of stone in a Japanese garden is that of placement. Its ideal does not deviate from that of nature.

garden doe art

The essence of sculpture is for me the perception of space, the c... by Isamu Noguchi

The essence of sculpture is for me the perception of space, the continuum of our existence.

space perception essence