I'm hoping that I make readers into museum goers and museum goers into readers. Susan Vreeland More Quotes by Susan Vreeland More Quotes From Susan Vreeland You know, bicycling isn't just a matter of balance," I said. "it's a matter of faith. You can keep upright only by moving forward. You have to have your eyes on the goal, not the ground. I'm going to call that the Bicyclist's Philosophy of Life. Susan Vreeland eye philosophy moving That a thing made by hand, the work and thought of a single craftsman, can endure much longer than its maker, through centuries in fact, can survive natural catastrophe, neglect, and even mistreatment, has always filled me with wonder. Sometimes in museums, looking at a humble piece of pottery from ancient Persia or Pompeii, or a finely wrought page from a medieval illuminated manuscript toiled over by a nameless monk, or a primitive tool with a carved handle, I am moved to tears. The unknown life of the maker is evanescent in its brevity, but the work of his or her hands and heart remains. Susan Vreeland humble heart hands If two people love the same thing, she reasoned, then they must love each other, at least a little, even if they never say it. Susan Vreeland littles two people Look long enough, out or in, and you’ll be glad you are who you are. Susan Vreeland enough long looks What the world calls failure, I call learning. Susan Vreeland world He and I had a bridge that no one else traveled that made us artistic lovers, passionate without a touch of the flesh. He made me thrive, and valuing that, I could do nothing that would endanger it. Susan Vreeland passionate bridges flesh It was strange: When you reduced even a fledgling love affair to its essentials--I loved her, she maybe loved me, I was foolish, I suffered--it became vacuous and trite, meaningless to anyone else. In the end, it's only the moments that we have, the kiss on the palm, the joint wonder at the furrowed texture of a fir trunk or at the infinitude of grains of sand in a dune. Only the moments. Susan Vreeland joints essentials kissing God taking from us and loving us at the same time by providing comforters was a kind of spiritual equanimity. It seemed a phenomenon of life how a death insinuates us into the debt of those who stand by us in trouble and console us. Susan Vreeland loving-life debt spiritual Everybody works . . . . That's what life is. Work and a little play and a lot of prayer. Susan Vreeland prayer play littles Think hard before you begin, then enter the work. Susan Vreeland hard thinking I remember being disappointed when Papa had shown me Caravaggio's Judith. She was completely passive while she was sawing through a man's neck. Caravaggio gave all the feeling to the man. Apparently, he couldn't imagine a woman to have a single thought. I wanted to paint her thoughts, if such a thing were possible - determination and concentration and belief in the absolute necessity of the act. The fate of her people resting on her shoulders. Susan Vreeland fate determination men Susan B. Anthony said that the bicycle did more to emancipate women than any other single thing. The bicycle was linked in the psyches of women at that time as a symbol of practical emancipation. Women could go places, wear their skirts shorter to manage the bicycle, and be independent. Susan Vreeland wear bicycle women time I wanted to keep a Gothic cathedral alive in my heart. Susan Vreeland cathedral keep alive heart The Tiffany lamp is an American icon bridging the immigrants, settlement houses, and the slums of the Lower East Side and the wealthy industrialists of upper Manhattan, the Gilded Age and its excesses. Susan Vreeland lamp american immigrants age I pored over art books and absorbed the placidness of Monet's garden, the sparkling color of the Impressionists, the strength and solidity of Michelangelo's figures showing the titanic power of humans at one with God, Jan Vermeer's serene Dutch women bathed in gorgeous honey-colored light... My conviction grew that art was stronger than death. Susan Vreeland strength light god death After one hundred days of confinement following a bone marrow transplant, I rejoiced in taking short walks to a nearby park as I was writing 'Girl in Hyacinth Blue.' The uncertainty of my survival made every blade of grass gorgeous in its green intensity, lifting itself up, doing its part to make the world beautiful. Susan Vreeland green girl blue beautiful To feel the grace of God in a painting of the dear, quiet commonness of a domestic interior, or in a landscape, seascape, cityscape, trains us to feel the grace of God in the thing itself in situ. Susan Vreeland feel painting grace god Coming out of the Louvre for the first time in 1971, dizzy with new love, I stood on Pont Neuf and made a pledge to myself that the art of this newly discovered world in the Old World would be my life companion. Susan Vreeland myself love life art 'Luncheon of the Boating Party,' owned by The Phillips Collection in Washington, D.C., has served Americans as a symbol of France and French culture, both of which I love, and is as evocative and triumphant an image as that other emissary of France, the Statue of Liberty. Susan Vreeland liberty party love culture I could say diamonds are a girl's best friend, and that never changes. But the taste for art did change. Susan Vreeland best girl change art
