I never thought of it as God. I didn't know what to call it. I don't believe in devils, but demons I do because everyone at one time or another has some kind of a demon, even if you call it by another name, that drives them. Gene Wilder More Quotes by Gene Wilder More Quotes From Gene Wilder Woody makes a movie as if he were lighting 10,000 safety matches to illuminate a city. Each one is a little epiphany: topical, ethnic, or political. Gene Wilder movie safety cities A lot of comic actors derive their main force from childish behavior. Most great comics are doing such silly things; you'd say, 'That's what a child would do. Gene Wilder stupid silly children In fact, [Gene Wilder] had made a hysteric seem considerably less funny in his film debut as a terrified undertaker in "Bonnie And Clyde." And neurotics soon became his stock-in-trade, whether he was playing the weird title character in "Willy Wonka And The Chocolate Factory..." Gene Wilder titles chocolate character I'm in complete remission. I'm alive and well. Gene Wilder remission wells alive And in 'Frisco Kid' and in 'The Woman in Red' I had to ride badly. Then you have to really ride well in order to ride badly. Gene Wilder red-lipstick order kids At the time, I didn't know why, but I know now that when I was a little boy, I was scared to death of the Frankenstein films ... and in all these years later, I wanted it to come out with a happy ending, and I think it was my fear of the Frankenstein movies when I was 8 and 9 and 10 years old that made me want to write that story [Young Frankenstein]. Gene Wilder writing boys thinking I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera. Gene Wilder cameras actors class Anyway, when I got out of the Army, I went to see a therapist. And she said, what seems to be the trouble? And I said I want to give all my money away. And she said, how much do you have? And I said, I owe $300. She stared at me for several seconds, and she said, I see. Well, let's get to work. And maybe by the time you do have some money, you'll be wise enough to know what to do with it. Gene Wilder army wise giving I met [Gilda Radner] on the first night of filming ... Hanky Panky that Sidney Poitier was directing. And it's funny, I was in costume and makeup - my tuxedo and makeup because I'd done a few shots before she arrived, and she told me later that she cried all the way in, in the car, because she knew that she was going to fall in love with me and want to get married. Gene Wilder makeup falling-in-love night I want to be an actor, maybe a comic actor but a real actor. Gene Wilder actors real want And Mel [Brooks] - you have to understand this important point - he had done "The Producers" for $50,000 over two years, and he didn't make a penny from it. And then he did "The Twelve Chairs" - $50,000 for two more years and didn't make a penny from it. That's four years of work. And then they offered him quite a bit of money to direct "Young Frankenstein," and he took it. Gene Wilder important two years [Gilda Radner] was in the in vitro fertilization program, and it nearly, nearly drove us apart, too. She wanted that baby, so badly, and it didn't work. Oddly enough, when we were doing "Haunted Honeymoon" in London, she did become pregnant for about 10 days, but then she lost it. But, anyway, my odyssey with Gilda was wonderful, funny, torturous, painful and sad. It was - it went the full gamut. Gene Wilder odyssey london baby I found a very diabolical way of making myself suffer - not in the same way [my mother ] was suffering but to prevent me from enjoying my own life. Gene Wilder suffering mother way I certainly didn't have New York Jewish humor. But I was in three Mel Brooks films so people thought I was a connoisseur of New York Jewish humor. Gene Wilder three new-york people Zero Mostel wasn't afraid of authority in any form, and that's the part that influenced me the most. Gene Wilder form zero authority There wasn't a funeral per se. I buried [Gilda Radner] 3 miles from her house that she had bought just shortly before we met. It was an old house, old colonial house, 1734. And there were just a few friends at the funeral, a nonsectarian cemetery. And an old friend of hers from junior high school or high school was the rabbi in town, and he performed the service. Gene Wilder funeral house school With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was. Gene Wilder zero house writing On screen, Gene Wilder could often be summed up as an accident waiting to happen, that frizzy, flyaway hair, the eyes darting this way and that and then something would set him off, Zero Mostel, say, in the movie that made Wilder a star, "The Producers." Gene Wilder zero stars eye Gene Wilder often said that his job as an actor wasn't to make something funny but to make it real. Gene Wilder actors real jobs Great art direction is NOT the same thing as great film direction! Gene Wilder great-art film art
