I paint and sculpt to get a grip on reality... to protect myself. Alberto Giacometti More Quotes by Alberto Giacometti More Quotes From Alberto Giacometti The more you fail, the more you succeed. It is only when everything is lost and - instead of giving up - you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling - be it an illusion or not - that something new has opened up. Alberto Giacometti progress giving-up feelings The object of art is not to reproduce reality, but to create a reality of the same intensity. Alberto Giacometti photography motivational inspirational Failure is my best friend. If I succeeded, it would be like dying. Maybe worse. Alberto Giacometti my-best-friend dying would-be In a burning building I would save a cat before a Rembrandt. Alberto Giacometti burning vegetarian cat When I make my drawings... the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness. Alberto Giacometti drawing darkness men Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it. Alberto Giacometti want-something succeed children It is impossible to do a thing the way I see it because the closer I get the more differently I see. Alberto Giacometti vision impossible way That's the terrible thing: the more one works on a picture, the more impossible it becomes to finish it. Alberto Giacometti terrible-things terrible impossible The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express. Alberto Giacometti vision enthusiasm trying I don't know who I am or who I was. I know it less than ever. I do and I don't identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve. Alberto Giacometti who-i-am happiness boys The form is always the measure of the obsession. Alberto Giacometti form obsession When you look at art made by other people, you see what you need to see in it. Alberto Giacometti people art needs The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is. Alberto Giacometti grandeur gains beautiful What I am looking for is not happiness. I work solely because it is impossible for me to do anything else. Alberto Giacometti impossible The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways. Alberto Giacometti faces steps looks The older I grow, the more I find myself alone. Alberto Giacometti solitude age listening I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. . . . So long as I've learned something about why. Alberto Giacometti crafts trying long All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life. Alberto Giacometti memories past art If we master a bit of drawing, everything else is possible. Alberto Giacometti bits drawing masters The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull. Alberto Giacometti what-matters skulls play
