I prefer formal techniques, and use sonnets and rhyme, any manner of scheme to give a shape and order-of feeling as well as argument-to a poem. But all my life, I've also been a person who's made his bed in the morning and picks up the bath mat. That's what I mean by temperament. Whether genetic or acquired, I have a disposition to arrangements. One is born with this, as if with blue eyes or a weak heart. Do you think Allen Ginsberg ever put the cap back on his toothpaste?

J. D. McClatchy

Categorized in : Morning Heart Eye

No poem should be an urn to contain a meaning, but a net to catch what meanings float through the day.

J. D. McClatchy

floats should

The best criticism is the sort that tells you what you already know but had been reluctant to accuse yourself of.

J. D. McClatchy

reluctant criticism knows

A poem needs disguises. It needs secrets. It thrives on the tension between what is said and not said; it prefers the oblique, the implied, the ironic, the suggestive; when it speaks, it wants you to lean forward a little to overhear; it wants you to understand things only years later.

J. D. McClatchy

ironic secret years

At least since Darwin's day, we have known that all of us originally emerged from the sea. That fact may account for our abiding fascination with it, our longing to return there, whether to sail the main or merely contemplate its restless enormity.

J. D. McClatchy

abiding fascination sea

Novelists want to flood, poets want to distill. by J. D. McClatchy

Novelists want to flood, poets want to distill.

J. D. McClatchy

novelists poet want

To shelter and to hide, they have resigned themselves. by J. D. McClatchy

To shelter and to hide, they have resigned themselves.

J. D. McClatchy

resigned shelter forests