I saw rock n' roll future and its name is Bruce Springsteen. Jon Landau More Quotes by Jon Landau More Quotes From Jon Landau Carole King's second album, 'Tapestry,' has fulfilled the promise of her first and confirmed the fact that she is one of the most creative figures in all of pop music. It is an album of surpassing personal-intimacy and musical accomplishment and a work infused with a sense of artistic purpose. It is also easy to listen to and easy to enjoy. Jon Landau accomplishment creative kings Bob Dylan was the source of pop music's unpredictability in the Sixties. Never as big a record-seller as commonly imagined, his importance was first aesthetic and social, and then as an influence. Jon Landau bob records firsts Bob Dylan may be the Charlie Chaplin of rock n' roll. Both men are regarded as geniuses by their entire audience. Both were proclaimed revolutionaries for their early work and subjected to exhaustive attack when later works were thought to be inferior. Both developed their art without so much as a nodding glance toward their peers. Jon Landau rocks men art Bob Dylan has always sealed his decisions with the unexplainable. His motives for withholding the release of the magnificent 'Basement Tapes' will be as forever obscure as Brian Wilson's reasons for the destruction of the tapes for 'Smile.' Jon Landau tape decision forever 'Band on the Run' is a carefully composed, intricately designed personal statement that will make it impossible for anyone to classify Paul McCartney as a mere stylist again. Jon Landau stylist band running James Taylor is the kind of person I always thought the word 'folksinger' referred to. He writes and sings songs that are reflections of his own life, and performs in them in his own style. All of his performances are marked by an eloquent simplicity. Jon Landau reflection writing song 'Sing It Again Rod' touches all the solo bases since Stewart's departure from the Jeff Beck Band, wherein he cut his teeth on American audiences for $75 a week plus expenses, and wisely ignores his generally inferior work with the Faces. Jon Landau teeth band cutting The title song of David Bowie's 'Young Americans' is one of his handful of classics, a bizarre mixture of social comment, run-on lyric style, English pop and American soul. Jon Landau soul running song Sly Stone doesn't make good albums: only good records. His style is so infinite and revolves around so many crucial aspects that it has only come together perfectly on a handful of his singles. Jon Landau albums style together The Beatles never sounded intimidated by their idols. They never interpreted old rock; they simply played it as well and as joyfully as they knew how. On 'Rock 'n' Roll,' John Lennon does nothing but interpret old rock. Jon Landau rocks idols doe The Faces do not, as some have recently alleged, play badly. They are more than competent, especially at creating a mid-Sixties Rolling Stones-styled groove, as their excellent version of 'Memphis' proves. Jon Landau rolling creating play As a performing group, the Beatles began by playing old rock favorites, for dancing, to tough audiences in Liverpool and Hamburg. When they began writing seriously, they discovered that they couldn't compose in the early American rock tradition. Jon Landau rocks dancing writing The early Bob Dylan was compulsively drawn to the conflict between stability and the search for immortality. Jon Landau immortality conflict bob Aretha Franklin's 'Let Me in Your Life' is one of the few recent R&B albums that places the emphasis entirely and deservedly on a voice. Many R&B producers have been making records on which the singer is outshined by the song, the arrangement and the sound. Jon Landau voice sound song There is absolutely no doubt that the extraordinary Donna Summer belongs in the Rock and Roll Hall of Fame. Jon Landau rock-and-roll rocks summer The Beatles did their best cover work on Little Richard's 'Long Tall Sally' and music influenced by Richard, such as Larry Williams's 'Dizzy Miss Lizzie. Jon Landau missing littles long The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying. Jon Landau rocks musical self New York Times's the way Bruce Springsteen wrote New York Times in Bruce Springsteen original notebooks, that's the way Bruce Springsteen sang New York Times on' Born to Run,' in 1975, that's the way Bruce Springsteen has always sung New York Times at thousands of shows, and New York Times's the way Bruce Springsteen sings New York Times right now on Broadway, any typos in official Bruce Springsteen material will be corrected. And, by New York Times,' dresses' do not know how to' wave.'. Jon Landau The word is ‘sways,’. Jon Landau Any typos in official Bruce material will be corrected. Jon Landau
