I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small. Rebecca Solnit More Quotes by Rebecca Solnit More Quotes From Rebecca Solnit Memory, even in the rest of us, is a shifting, fading, partial thing, a net that doesn't catch all the fish by any means and sometimes catches butterflies that don't exist. Rebecca Solnit butterfly memories mean The present rearranges the past. We never tell the story whole because a life isn't a story; it's a whole Milky Way of events and we are forever picking out constellations from it to fit who and where we are. Rebecca Solnit events forever past Politics is pervasive. Everything is political and the choice to be "apolitical" is usually just an endorsement of the status quo and the unexamined life. Rebecca Solnit endorsements political choices It had come to me not in a sudden epiphany but with a gradual sureness, a sense of meaning like a sense of place. When you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for you when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one of the best ways of exploring the mind, and walking travels both terrains. Rebecca Solnit exploring-the-world giving memories Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of. Rebecca Solnit pain care purpose Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use…time spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space — for wilderness and public space — must be accompanied by a fight for free time to spend wandering in that space. Rebecca Solnit fighting space imagination The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest. Rebecca Solnit despair space self It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea. Rebecca Solnit artist dark jobs How will you go about finding that thing the nature of which is totally unknown to you?" (Plato) The things we want are transformative, and we don’t know or only think we know what is on the other side of that transformation. Love, wisdom, grace, inspiration- how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else? Rebecca Solnit inspiration plato thinking There is no one as dangerous as he or she who has nothing to lose. Rebecca Solnit nothing-to-lose dangerous nihilism Despair is easy, or at least low cost. Rebecca Solnit despair cost easy The things we want are transformative, and we don’t know or only think we know what is on the other side of that transformation Never to get lost is not to live. Rebecca Solnit sides want thinking How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control. To calculate on the unforeseen is perhaps exactly the paradoxical operation that life most requires of us. Rebecca Solnit balance world art Getting lost was not a matter of geography so much as identity, a passionate desire, even an urgent need, to become no one and anyone, to shake off the shackles that remind you who you are, who others think you are. Rebecca Solnit passionate-desire identity thinking Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. Rebecca Solnit getting-lost two fall If gold has been prized because it is the most inert element, changeless and incorruptible, water is prized for the opposite reason -- its fluidity, mobility, changeability that make it a necessity and a metaphor for life itself. To value gold over water is to value economy over ecology, that which can be locked up over that which connects all things. Rebecca Solnit gold opposites water In her novel Regeneration, Pat Barker writes of a doctor who 'knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay. Rebecca Solnit butterfly nature writing Revolution is as unpredictable as an earthquake and as beautiful as spring. Its coming is always a surprise, but its nature should not be. Rebecca Solnit spring earthquakes beautiful To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. Rebecca Solnit arms mystery world Activism is not a journey to the corner store. It is a plunge into the unknown. The future is always dark. Rebecca Solnit stores journey dark
