I think everybody wants to be loved, all the time, but it's not realistic. It's also not realistic, if you're going to be ambitious, in terms of changing the form or evolving. Mitchell Hurwitz More Quotes by Mitchell Hurwitz More Quotes From Mitchell Hurwitz I think it's a big part of being a creative person. Mitchell Hurwitz bigs creative thinking What you'll gain is the macro story. You'll get a good command of that. And what you might lose is some of the fun of it. Mitchell Hurwitz stories fun might My knee-jerk is that it is comedy and, if you watch them all back-to-back, you will gain something and you will lose something. Mitchell Hurwitz knees gains watches One of the great things about TV is the story to tell can be very internal and really character-based. Mitchell Hurwitz tvs stories character Writers need restrictions. If somebody just says, "Hey, do you want to write a novel, or an article, or a movie, or a short story, you get shut down." Mitchell Hurwitz stories writing needs Everybody keeps falling back to the same patterns without doing too much dramaturgy. Mitchell Hurwitz patterns too-much fall There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie. Mitchell Hurwitz possibility film television If you've never watched people watch television, I don't recommend it. It's not an exciting thing to do. Mitchell Hurwitz watches people television The "executive producer" title either means that you're the person who created, or co-created, the show, or you're the person who's in charge of day-to-day operations. Whereas "producer" is often just a writing credit. Mitchell Hurwitz titles writing mean One of the best ways into the business is to get a job with a production, which you can do by cold-calling or by getting your résumé out there, and also through contacts. That's where nepotism really helps. Mitchell Hurwitz calling jobs way I remember being asked when I was in high school what do I want to do when I grow up and the answer is so indicative - I would like to have been a successful playwright. Mitchell Hurwitz growing-up successful school There are elements of that, where you'll see a scene again and you'll recognize it, but I wouldn't say it's got one conceit like that, at all. It definitely has those jokes, but it would be wrong to say this is a show where, every time you see it, you see a new angle. Mitchell Hurwitz elements scene would-be I could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a big audience, obviously, when we made the show. Very early on, we made a decision that we were going to try to give the fans and the people that were loyal to us something that they felt was special. Mitchell Hurwitz decision giving people We started gearing our content more to what makes us laugh and stories we wanted to tell, and we had to decide, early on, to not be precious about it. Mitchell Hurwitz stories wanted laughing Thanks to the critics and thanks to the Emmys, we got all sorts of great reviews and notices and awards, at the start. Part of it is that it's great fortune to have something to live up to, but as creative people, we all have to just put that aside and go forward, make the best product we can, have as joyous of an experience as we can, and really remember that the spirit of this was to surprise the fans with something that they didn't see coming. Mitchell Hurwitz awards creative people There was so much talk about the movie and we thought, "Wouldn't it be great to still do the movie, but to give everybody this thing they didn't see coming?" Even with the number of episodes, it was reported that there was going to be 10 episodes, and then there was talk about adding more. Mitchell Hurwitz episodes numbers giving We started writing the shows in order, and then very quickly had to jump to, "Oh, we got Tony Hale today and Jessica [Walter." We've got to jump ahead and write that stuff that's in Jessica's show. Fortunately, we knew the story, but it was challenging. Mitchell Hurwitz challenges writing order We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model. Mitchell Hurwitz creative decision trying First of all, there is absolutely an order that we have put together to create the maximum number of surprises, but that's just part of our storytelling. Mitchell Hurwitz maximum-number numbers order We figured the interesting question for them is, "Where has the family been since 2006, since the last time we saw them?" So, part of the time, we had to spend answering that question. Then, inevitably, it goes up to a point of crisis, in everyone's show. There was just no getting around that it was about 2006-2012. Mitchell Hurwitz saws lasts interesting
