I think the voice does that perfectly adequately without being imitated by other instruments. Evan Parker More Quotes by Evan Parker More Quotes From Evan Parker My roots are in my record player. Evan Parker records player roots You know, the whole philosophy of ad hoc combinations has its strengths and its weaknesses. Evan Parker combination weakness philosophy We all listened to a lot of recorded music, especially American jazz, modern jazz, and that's where our studies were and our inspiration came from. Evan Parker jazz study inspiration Those early steps are very important in understanding the evolution. But in themselves, maybe now you need the later records to understand the significance of the earlier records! Evan Parker understanding important needs When you add a period of 25 years between the playing and the listening, then the whole question of meaning gets very complicated. Evan Parker listening add years The argument we always used to use was that keeping records in the catalog was good for people that were coming new to the music, but I think that was talking over a ten year or fifteen year time span. Evan Parker talking years thinking There are many of these apparent philosophical paradoxes or contradictions which don't concern me anymore. Evan Parker paradox contradiction philosophical To speak about notation as the only way that you can guarantee structure of course is already very suspect. Evan Parker speak guarantees way I think the whole question of meaning in music is difficult enough even if you hear me playing live right now in the same room! What I mean and what you take from it may be two quite different things anyway. Evan Parker music mean thinking Improvisation is a compositional method. Evan Parker improvisation method In my mind these two instruments speak to me in different ways, and the solo stuff seems to be easier to do on the soprano. Evan Parker different mind two Of course I knew the work of Roland Kirk and Harry Carney and the specific uses they would make of circular breathing, so I knew it was physically possible. Evan Parker breathing courses use So what starts is ad hoc and you never know where it's going to lead, so it's important to keep an open mind about those things. Evan Parker ads important mind So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the first contacts, perhaps the first contact, when Peter came that summer. So it's a very pivotal moment that is documented there. Evan Parker pivotal-moments summer firsts So I'm looking to the saxophone as a resource which has its own unique set of possibilities. I'm looking to exploit them and develop them and have the fullest range of possibilities of the saxophone be known. Evan Parker saxophone possibility unique A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I always like that when that happens, when something comes that is more than the sum of the parts. Evan Parker elements kind synthesis Actually John, Paul Rutherford, and Trevor Watts, and several other rather well known English jazz musicians had got their training by joining the Air Force, which was a pretty standard way for people to get some kind of musical education in those days. Evan Parker musical air people Certain kinds of speed, flow, intensity, density of attacks, density of interaction... Music that concentrates on those qualities is, I think, easier achieved by free improvisation between people sharing a common attitude, a common language. Evan Parker attitude people thinking I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me. Evan Parker decision doors thinking I'd met Roscoe in Europe quite a few times over the years, and we'd say hi and so on, but this was the first time we'd actually played together. Evan Parker together europe years
