I think zombies would fit in anywhere. You can tell any story, and put zombies in it. I don't know how I'd find the backing, but I think it'd be great to make a zombie gangster movie. George A. Romero More Quotes by George A. Romero More Quotes From George A. Romero My stuff is my stuff. Sometimes it's not as successful as some of the other stuff. But it's my stuff. George A. Romero successful sometimes I expect a zombie to show up on Sesame Street soon, teaching kids to count. George A. Romero zombie teaching kids When I was old enough to go to movies alone, I got to see 'Frankenstein' and 'Dracula' on the big screen. I just fell in love with them. George A. Romero screens bigs enough I keep a little notebook of things that I can do to the zombies that might be silly and fun. George A. Romero notebook silly fun The Thing from Another World' was the first movie that really scared me. George A. Romero scared world firsts Zombies are the real lower-class citizens of the monster world and that's why l like them. George A. Romero zombie real class I don't want a zombie society. I don't want to go that far. George A. Romero zombie want Hollywood doesn't trust me, and we don't really mix. When a movie has stars, everything in the budget goes up, even the catering costs. I just don't like the process of having Suits all around, so I prefer casting unknowns. It adds another level of tension - you don't quite know what to expect from them. My movies don't even need that much money. George A. Romero catering tension trust-me I've never been able to reuse characters, I've often wanted to. I've never been able to get people to cooperate. I can't get anyone together on any kind of deal. George A. Romero together character people Anybody who tunes into Rush Limabaugh already knows what he's going to say and is already inclined to agree. So it winds up creating tribes. George A. Romero creating tunes wind Zombies are always moving fast in video games. It makes sense if you think about it. Those games are all about hand-eye coordination and how quickly can you get them before they get you. George A. Romero eye moving thinking I think you're only free if you're working on very low or huge money. George A. Romero huge lows thinking Collaborate, don't dictate. Every department head has something to offer. Listen and gratefully accept their offerings. They're moviemakers, too. George A. Romero offers accepting offering People called 28 Days and 28 Weeks zombie movies, and they're not! It's some sort of virus; they're not dead. George A. Romero viruses zombie people I go to conventions and universities and talk to young filmmakers and everybody's making a zombie movie! It's because it's easy to get the neighbors to come out, put some ketchup on them. George A. Romero zombie neighbor easy I really believe that you could do horror very inexpensively. I don't think it has anything to do with the effects, the effects are not the most important parts. George A. Romero important believe thinking For a Catholic kid in parochial school, the only way to survive the beatings - by classmates, not the nuns - was to be the funny guy. George A. Romero guy kids school Everybody knows the rules, even though some break those rules. George A. Romero break knows It would be very hard to write a serious drama and say some of these things. You can be much more abstract and allusive with horror, and it's very forgiving to the author. You don't necessarily have to take an absolutely positive position. You can just write whatever. George A. Romero forgiving writing drama I like guys who are understandable and good guys who are flawed. George A. Romero good-guy flaws guy
