I used this line to demonstrate how important colors are in movies: It's not a caprice. Pedro Almodovar More Quotes by Pedro Almodovar More Quotes From Pedro Almodovar I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion. Pedro Almodovar fake-people color use Yes, women are stronger than us. They face more directly the problems that confront them, and for that reason they are much more spectacular to talk about. I don't know why I am more interested in women, because I don't go to any psychiatrists, and I don't want to know why. Pedro Almodovar stronger faces want Both sex and death are eternal themes. You could make thousands of movies on this theme, and whether you have a human being who is painting, singing, making a film, writing, these are the themes that you will come back to and return to. If you don't have any of these artistic expressions, sex is one of the only gifts that nature gave you for free, so it is very important to celebrate it. And then, with death, we are condemned to that. This is absolutely present in our lives. Pedro Almodovar expression writing sex Anything that is not autobiography is plagiarism. Pedro Almodovar plagiarism autobiography Cinema can fill in the empty spaces of your life and your loneliness. Pedro Almodovar cinema space loneliness Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities. Pedro Almodovar portraits quality mother I think that the consciousness of passion makes you act very differently. Pedro Almodovar passion consciousness thinking Cinema has become my life. I dont mean a parallel world, I mean my life itself. I sometimes have the impression that the daily reality is simply there to provide material for my next film. Pedro Almodovar motivational inspirational mean Maybe it's the culture, maybe it's the cliché of Latino machismo, but the Mediterranean male character is more dull than the female character. Women are more surprising and they have fewer prejudices. Pedro Almodovar males female character I make movies for my needs. My goal has never, never, never been to make shocking movie. Pedro Almodovar shocking goal needs A dead love never dies. Pedro Almodovar love-never-dies dies Each actor is a very different person, and each one has to be directed very differently. Pedro Almodovar actors different persons All my movies are difficult to classify because they are very eclectic in mixing genres. Pedro Almodovar eclectic-style genre mixing I'm a very dull passenger. I don't speak. I don't have sex. No alcohol. I don't do drugs. The thing that I like about flying is that I feel like I can really concentrate. I used to write many things, and many ideas for my movies belong to this moment where I'm not anywhere specifically in terms of time and space and geography. I am suspended, and this suspension fits me very well. Pedro Almodovar writing sex ideas The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple. Pedro Almodovar flower simple secret I think that there is always a part of utopia in any romantic relationship. Pedro Almodovar romantic-relationship utopia thinking I was born at a bad time for Spain, but a really good one for cinema. Pedro Almodovar bad-times spain cinema An ample arse helps you to be weighed down and be grounded. Pedro Almodovar arses down-and helping Once we actually have the production script after many rewrites, at that point is when I start to decide what the look and colors will be. I work like a painter, even though I'm working in three dimensions. I'm working with chairs. I'm working with walls. But even things like the floor or the walls that people might think are not important, they actually do influence the visual look of the film. These are also things that I have to think about. Pedro Almodovar wall color thinking All my movies have an autobiographical dimension, but that is indirectly, through the characters. In fact I am behind everything that happens and that is said, but I am never talking about myself in first person. Something in me - probably a dislike of cheap exhibitionism- stops me from approaching a project too autobiographically. Pedro Almodovar exhibitionism talking character
