I was always a bit arty-farty as a boy. 'Come on, Mr. Arty-Farty,' my sister used to say to me. Nicolas Roeg More Quotes by Nicolas Roeg More Quotes From Nicolas Roeg The rules are learnt in order to be broken, but if you don't know them, then something is missing. Nicolas Roeg broken-heart missing-you order Marketing is a very good thing, but it shouldn't control everything. It should be the tool, not that which dictates. Nicolas Roeg marketing good-things tools Too many films today feel formulaic and familiar. I prefer it when the familiar is made to feel strange. Nicolas Roeg film strange today What makes God laugh is people who make plans. Nicolas Roeg laughing people You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me. Nicolas Roeg simple sound ideas When a book is just a plot, you know, two men fight for the love of a woman in a wild frontier, I immediately ask, 'Why?' Nicolas Roeg fighting men book The great difference between screen acting and theatre acting is that screen acting is about reacting - 75% of the time, great screen actors are great reactors. Nicolas Roeg differences theatre acting Movies are not scripts - movies are films; they're not books, they're not the theatre. It's a completely different discipline, it exists on its own. I would say that the beauty of it is it's not the theatre, it's not done over again. It's done in bits and pieces. Things are happening which you can't get again. I forbid anyone to say "Cut", the soundman, the operator, or whatever. Nicolas Roeg discipline cutting book Youth is so exciting. It'll take over. I don't want to be swept away. I want to be with the taking-over people, right to the end. Nicolas Roeg youth want people Oscars are won with two or three shots only, because if it's really beautifully photographed, you don't really notice it until the astounding moment emphasizes it. Nicolas Roeg oscars three two Mirrors are the essence of movies. Nicolas Roeg mirrors essence In life, we all learn from everyone. But if you like and admire someone tremendously, perhaps because they think the way you do, or like the way you think, then inevitably you do. Nicolas Roeg admire thinking Movies are not scripts - movies are films; they're not books, they're not the theatre. Nicolas Roeg movie theatre book They think something's gone wrong, but in Don't Look Now, for instance, one scene was made by a mistake. It's the scene where Donald Sutherland goes to look for the policeman who's investigating the two women. Nicolas Roeg mistake two thinking I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look. Nicolas Roeg scene hands looks We're all influenced by everything unless we're locked in an empty room. Nicolas Roeg empty-rooms empty rooms Any change in form produces a fear of change, and that has accelerated. Marketing is the death of invention, because marketing deals with the familiar. Nicolas Roeg fear-of-change invention marketing But in marketing, the familiar is everything, and that is controlled by the studio. That is reaching its apogee now. Nicolas Roeg reaching familiar marketing I've always admired the tradition of storytellers who sat in the public market and told their stories to gathered crowds. They'd start with a single premise and talk for hours - the notion of one story, ever-changing but never-ending. Nicolas Roeg crowds tradition stories Movies which set out to be 'commercial' usually have an artificial look about them-a certain waxlike quality. They allow for no failure, no moment of mistake. Nicolas Roeg quality mistake looks
