I wasn't as confident and creative in the beginning as I am now, so it was all very safe. But I was building my work, and it took me a long time. For a good five or six years I was just kind of bobbing around, doing everything and anything. Guido Palau More Quotes by Guido Palau More Quotes From Guido Palau Beauty shouldn't be taken too seriously. Life is stressful enough! Hair should be creative and crazy. Guido Palau crazy taken hair It's hard to be shocking now. It's hard to challenge people because the Internet has allowed everyone to become much more worldly, much more visual. It's very hard to surprise people. Guido Palau surprise challenges people All hair is away from the face - there's no emotion and all of the personality is taken away. I envisioned the way a 'virtual girl' is drawn in a cartoon. Then I added these different colored extensions - white, red and black, which adds to the synthetic feeling of the hair. I used colors which looked most dramatic against each of the models' real hair. The different colors give you that pop of fakeness so we're not talking about reality. Like a futuristic princess. Guido Palau princess girl real I'm not giving up on my work. I'm still trying to challenge people's aesthetics and myself. Guido Palau giving-up challenges people I'm not saying that everything I do is always tasteful - and maybe it's not always the normal idea of beauty - but hopefully it's always an empowering idea. Guido Palau empowering normal ideas I used to get defensive and react. Like you, I get pushed and pulled [backstage].... Sometimes people are rude to me, and I feel like, 'You know, guys, I'm just here trying to do my job....' And the reality is, everyone else is just trying to do their job...and sometimes they get on a power trip [and] you feel disrespected. But that's their problem. It's not my problem. Guido Palau jobs reality people Beautiful things are different. Guido Palau beautiful-things different beautiful I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls. Guido Palau glitter balls fashion Fashion is emotional, and the way women look at it is emotional, so it's very important to try to connect with a woman's idea of how she might feel. Guido Palau fashion emotional ideas When I think of the people I've worked with, all of them have great passion, and the passion is what keeps people inspired. Guido Palau passion people thinking I worked in salons, where you do learn the basic sort of thing. But I didn't know anything about the kinds of things I'm doing now. I learned how to put hot-rollers in. Guido Palau salons kind hot I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls. This was in the late '70s, early '80s, so it wasn't like today, where you kind of know all about the industry. Fashion was a very insider industry then - it was very closed. So I didn't really know what I wanted to do. Guido Palau glitter fashion today I worked at a bunch of salons, and at one, a girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy. Guido Palau fashion girl thinking I'm very lucky that I've worked mainly with two amazing photographers in David Sims and Steven Meisel. Guido Palau lucky photographer two I didn't do great in school. I didn't have many options. I mean, I'd like to have gone to art college, but I didn't have the grades. I didn't have any qualifications. But I had some friends who were hairdressers, so I just thought, Well, I'll have a go at it. Guido Palau mean art school I got into hairdressing and moved from Dorset to London, where I got an apprenticeship at Vidal Sassoon. This was around '83 or '84. I was working on South Molton Street, which was then the epicenter of all the shops. It was like a catwalk. So I did my apprenticeship there, but I wasn't successful. Guido Palau apprenticeship london successful I worked at a bunch of other salons, and at one, this girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy. Guido Palau fashion girl thinking Fashion was a very insider industry then - it was very closed. So I didn't really know what I wanted to do. Guido Palau fashion knows wanted When you look back at your career, there are moments that are levels that you hit and you bounce off them. Guido Palau levels careers looks The Brits always favor the underdog. There's an eccentricity to us, and I think you can see that through the fash- ion and the music and the way people look. Guido Palau ions people thinking
