If you are terribly truthful, the ground will always move from under you, and you will have to shift with the constantly shifting truth. Anais Nin More Quotes by Anais Nin More Quotes From Anais Nin Most artists have retired too absolutely; they grow rusty, inflexible to the flow of currents. Anais Nin currents flow artist the cynic is a coward. He foresees all barrenness so that barrenness can never surprise him. Anais Nin coward surprise cynicism I know no joy as great as a moment of rushing into a new love, no ecstasy like that of a new love. Anais Nin rushing moments joy I spell 'god' with a small 'g' because I do not believe in him, but I love to swear by him. Anais Nin spells swear believe Great repressions create dualities. Anais Nin repression duality denial Perfection is static, Anais Nin static progress perfection There is an ugliness in being paid for work one does not like. Anais Nin ugliness paid doe If a person continues to see only giants, it means he is still seeing the world through the eyes of a child. I have a feeling that man's fear of woman comes from having first seen her as the mother, creator of men. Anais Nin mother mean children Sexual intercourse... a joyous, joyous, joyous, joyous impaling of woman on man's sensual mast. Anais Nin joyous sensual men I say quotations are literary. They are good only when dealing with ideas, not with experience. Experience should be pure, unique. Anais Nin unique should ideas In each studio there is a human being dressed in the full regalia of his myth fearing to expore a vulnerable opening, spreading not his charms but his defences, plotting to disrobe, somewhere along the night-- his body without the aperture of the heart or his heart with a door closed to his body. thus keeping one compartment for refuge, one uninvaded cell. Anais Nin heart doors night Physical experiences, lacking the joys of love, depend on twists and perversions of pleasure. Abnormal pleasures kill the taste for normal ones. Anais Nin abnormal twists joy I had been struck by the analogy between neurosis and romanticism. Romanticism was truly a parallel to neurosis. It demanded of reality an illusory world, love, an absolute which it could never obtain, and thus destroyed itself by the dream. Anais Nin world-love dream reality I am aware of being in a beautiful prison, from which I can only escape by writing. Anais Nin prison writing beautiful Creation which cannot express itself becomes madness. Anais Nin creation madness inspirational And silence. She liked the silence most of all. The silence in which the body, senses, the instincts, are more alert, more powerful, more sensitized, live a more richly perfumed and intoxication life, instead of transmuting into thoughts, words, into exquisite abstractions, mathematics of emotion in place of violent impact, the volcanic eruptions of fever, lust and delight. Anais Nin impact powerful silence Our age has need of violence," he writes. And he is violence. Anais Nin age writing needs I write emotional algebra. Anais Nin algebra emotional writing I sat there for three hours and did not feel the time or the boredom of our talk and its foolish disconnection. As long as I could hear his voice, I was quite lost, quite blind, quite outside my own self. Anais Nin voice self long At first she beckoned and lured one into her world; then, she blurred the passageways, confused all the images, as if to elude detection. Anais Nin confused world firsts