If you think of movie studio executives, say, as society, then I root for the independent producers. Donald E. Westlake More Quotes by Donald E. Westlake More Quotes From Donald E. Westlake Nobody gets everything in this life. You decide your priorities and you make your choices. I'd decided long ago that any cake I had would be eaten. Donald E. Westlake long-agocakechoices As we struggle with shopping lists and invitations, compounded by December's bad weather, it is good to be reminded that there are people in our lives who are worth this aggravation, and people to whom we are worth the same. Donald E. Westlake familychristmasstruggle Whenever things sound easy, it turns out there's one part you didn't hear. Donald E. Westlake easysoundart I've had stuff of mine adapted by other people, so I've come to the conclusion that a movie is a different form from a novel and there is no such thing as a true adaptation. You have to adapt to this other thing and do it right. But that voice of the original should somehow still be there, and the original intent should still be there. So if the original writer saw the movie, the writer would say, "Well, that's not what I wrote, but that's what I meant." And if you can do that, I think you've done your job as a screenwriter. Donald E. Westlake differentpeoplethinking Publishing is the only industry I can think of where most of the employees spend most of their time stating with great self-assurance that they don't know how to do their jobs. "I don't know how to sell this," they explain, frowning, as though it's your fault. "I don't know how to package this. I don't know what the market is for this book. I don't know how we're going to draw attention to this." In most occupations, people try to hide their incompetence; only in publishing is it flaunted as though it were the chief qualification for the job. Donald E. Westlake jobsbookthinking In the most basic way, writers are defined not by the stories they tell, or their politics, or their gender, or their race, but by the words they use. Writing begins with language, and it is in that initial choosing, as one sifts through the wayward lushness of our wonderful mongrel English, that choice of vocabulary and grammar and tone, the selection on the palette, that determines who's sitting at that desk. Language creates the writer's attitude toward the particular story he's decided to tell. Donald E. Westlake vocabularywritingattitude Who's a boy gonna talk to if not his mother? Donald E. Westlake mothers-daymominspiring I was writing everything. I grew up in Albany, New York, and I was never any farther west than Syracuse, and I wrote Westerns. I wrote tiny little slices of life, sent them off to The Sewanee Review, and they always sent them back. For the first 10 years I was published, I'd say, "I'm a writer disguised as a mystery writer." But then I look back, and well, maybe I'm a mystery writer. You tend to go where you're liked, so when the mysteries were being published, I did more of them. Donald E. Westlake mysterywriting In order to hold your faith intact be sure it's kept unsullied by fact. Donald E. Westlake orderfacts Christmas reminds us we are not alone. We are not unrelated atoms, jouncing and ricocheting amid aliens, but are a part of something, which holds and sustains us. As we struggle with shopping lists and invitations, compounded by December's bad weather, it is good to be reminded that there are people in our lives who are worth this aggravation, and people to whom we are worth the same. Christmas shows us the ties that bind us together, threads of love and caring, woven in the simplest and strongest way within the family. Donald E. Westlake christmascaringstruggle The fictioneer labors under the constraint of plausibility; his inventions must stay within the capacity of the audience to accept and believe. God, of course, working with facts, faces no limitation. Donald E. Westlake facesbelievefacts The thing that I prefer, when I'm working on a book, is to do a seven-day week, because it's easy to lose some of the details of what you're doing along the way. Donald E. Westlake weekeasybook I make a note, set it aside, and hope it makes sense when the time comes to look at it again. Donald E. Westlake notesmake-senselooks Those 4 guys in the late 60's who attacked a jewel merchant on New York's West 46th St. on the sidewalk, so they could steal his jewel-filled station wagon, which they abandoned 2 blocks later because none of them could drive a stick shift. Where would I be without such people? Donald E. Westlake blockjewelsnew-york When the phone rang, Parker was in the garage, killing a man. Donald E. Westlake phoneskillingmen The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world. Donald E. Westlake characterbookthinking Seem to be telling this, but really telling that. Three-dimensional writing, like three-dimensional chess. Nabokov was the other master of that. You could learn something from Nabokov on every page he ever wrote. Donald E. Westlake threechesswriting The many magazines, ranging from pulp to slick, that used to serve as both farm teams for writers and lures to readers, with hundreds of short stories every month, don't exist. Most of the doors for new people have been sealed. Donald E. Westlake teamdoorspeople Nothing about it interested me. Or about anything else, except making up stories. If literacy weren't so nearly universal, God knows what I'd be. A drain on the State, I shouldn't wonder. Donald E. Westlake literacystorieswonder Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people." Donald E. Westlake politicalpeoplethinking
